In the Media, April 2017, Part One

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

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Photograph by Murdo MacLeod

 

Women have been dominating the prize wins for the past fortnight. Hollie McNish won the Ted Hughes Prize and Kiran Millwood Hargrave won the Waterstones Children’s Book Prize with The Girl of Ink and Stars.

While The Baileys Women’s Prize for Fiction shortlist was announced. Rebecca May Johnson writes ‘Notes on . . . the Baileys Women’s Prize‘ (and reading women more generally) in the Financial Times. There are interviews with several of the longlisted writers on the prize’s site: Madeleine Thien, Naomi Alderman, Linda Grant, Yewande Omotoso, Heather O’Neill, Fiona Melrose, Eimear McBride, Emma Flint.

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The best of the rest:

On or about books/writers/language:

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Personal essays/memoir:

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Feminism:

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Society and Politics:

Film, Television, Music, Art, Fashion and Sport:

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The interviews/profiles:

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The regular columnists:

In the Media, March 2017, Part One

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

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This fortnight’s seen a number of prize lists announced. The big ones for women writers are the Baileys Women’s Prize for Fiction longlist and the Stella Prize shortlist.

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Chimamanda Ngozi Adichie’s comments on trans women have prompted a number of responses.

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The best of the rest:

On or about books/writers/language:

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Personal essays/memoir:

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Feminism:

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Society and Politics:

Film, Television, Music, Art, Fashion and Sport:

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The interviews/profiles:

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The regular columnists:

The Rules Do Not Apply – Ariel Levy

People have been telling me since I was a little girl that I was too fervent, too forceful, too much. I thought I had harnessed the power of my own strength and greed and love in a life that could contain it. But it has exploded.

You may be aware of Ariel Levy and, therefore, why this memoir is a big deal. Levy is a staff writer at The New Yorker and in 2013 wrote a piece called ‘Thanksgiving in Mongolia’. It’s one of the most powerful pieces I’ve ever read and went on to win the National Magazine Award for Essays and Criticism in 2014. The Rules Do Not Apply grew out of that piece.

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Levy had it all: a great job, a wife, a baby on the way. And then she was left with just the job, her personal life in ruins. This is the story of how that happened.

Unpopular as a child because she preferred to pretend to be an explorer than play house. She was also ‘domineering, impatient, relentlessly verbal, and, as an only child, baffled by the mores of other kids’.

She loved books and became a journalist after deciding to write a story about a nightclub for obese women in Queens and presenting it to the editor at New York magazine where she was an assistant. The story gave her the focus for the journalism she wanted to produce:

I was writing about an unconventional kind of female life. What does it mean to be a woman? What are the rules? What are your options and encumbrances? I wanted to tell stories that answered, or at least asked, those questions.

If you’re looking for confidence, Levy has it by the bucket load.

But there was one area of life she was unsure about:

To becomes a mother, I feared, was to relinquish your status as the protagonist of your own life. Your question was answered, your freedom was gone, your path would calcify in front of you. And yet it still pulled at me. Being a professional explorer would become largely impossible if I had a child, but having a kid seemed in many ways like the wildest possible trip.

The Rules Do Not Apply combines three strands of Levy’s life: how her journalism evolved to the point where she was offered a position at The New Yorker; her marriage, including her wife’s alcoholism and Levy’s affair; the lengthy debate over whether or not to have a child and her subsequent pregnancy.

What’s most striking about the memoir is Levy’s apparent honesty; no one comes out looking great, least of all Levy herself. But this is not a misery memoir, rather it is the story of those women who ‘were given the lavish gift of our own agency by feminism – a belief that we could decide for ourselves how we would live, what would become of us’.

Levy’s aware of her own privilege but is stunned to discover that it won’t protect her from all of life’s sorrows and hardships. She is ill-equipped to deal with them and the memoir appears to be her attempt to come to terms with this. By writing her story, she wrests back control.

Daring to think that the rules do not apply is the mark of a visionary. It’s also a symptom of narcissism.

Levy’s prose is crystal clear and never mawkish, although there are many points in her story where a lesser writer would’ve descended into the sentimental. What I found most interesting – and surprisingly endearing – is the degree to which Levy, the protagonist, could be described as ‘unlikeable’ (by people who are wont to do so). The quotation I headed the review with – that she was too much, even as a child – says more about society’s views of girls and, ultimately, women than it does about Levy herself. That she owns this, writes unabashedly about it, is a triumph of its own.

The Rules Do Not Apply is a gripping, multi-layered, non-fiction narrative about a woman coming to terms with the limits of her own agency. It’s a book that ought to contribute to a change in the way we view women.

 

Thanks to Fleet for the review copy.

In the Media, December 2015

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

This fortnight’s mostly been about end of year lists. Last year I linked to those that were gender balanced but this year I gave up counting after the first two, deciding it was a futile endeavour. Having said that, Sarah Seltzer says , ‘White Men Are the Minority on This Year’s Biggest Book Lists‘ on Flavorwire and there was some excitement around a new ‘Best UK novels’ list commissioned by the BBC. On The Pool, Lynn Enright said ‘Women writers dominate the top spots in list of best British novels‘. Which they do but the list as a whole isn’t balanced and it’s dominated by Nineteenth Century novels.

A fortnight ago I was going to begin this piece by mentioning The Good Immigrant an essay collection being published by Unbounders which means it needed crowdfunding. It includes essays by Chimene Suleyman, Bim Adewumni, Salena Godden, Sabrina Mahfouz, Coco Khan, Sarah Sahim and Reni Eddo Lodge and was fully funded in three days, partly thanks to JK Rowling. You can read about what an excellent person she is and what a great collection it sounds in The Guardian. And you can still contribute to the funding.

Clare Vaye Watkins essay ‘On Pandering’ is still being discussed. She talks about it further (with Marlon James) on NPR. Anne Boyd Rioux responded with ‘A Brief History of Pandering‘ on The Rumpus. Aya de Leon responded initially with ‘“On Pandering” and Subversive Revelations of Female Insecurity‘ and then to Marlon James’ Guardian conversation with ‘On Pandering, White Women as Scapegoats, and the Literary Industry as a Hand-Me-Down‘ on her blog, while Dreda Say Mitchell replied with ‘Black authors don’t write only for white women‘ in the Guardian.

In prize news, Sarah Howe won the resurrected Young Writer of the Year Award for her poetry collection Loop of Jade. She’s profiled in The Sunday Times (£) and interviewed on Bookanista and The Workshy Fop. And the Saltire Society Literary Award was announced with wins for Helen McClory, Patricia Andrew and Tanja Bueltmann.

The best of the rest:

On or about books/writers/language:

Personal essays/memoir:

Feminism:

Society and Politics:

Film, Television, Music, Art and Fashion:

The interviews:

The regular columnists: