In the Media: May 2017

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

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In prize news, the Granta Best of Young American Novelists list was announced:

Fiona McFarlane took The Dylan Thomas Prize for her short story collection The High Places, Maylis de Kerangal won The Wellcome Book Prize, and Sarah Perry and Kiran Millwood-Hargrave were winners at The British Book Awards. While Kit de Waal and Rowan Hisayo Buchanan were shortlisted for The Desmond Elliott Prize.

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Chris Kraus and I Love Dick are having a moment:

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And The Handmaid’s Tale has generated even more pieces:

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The best of the rest:

On or about books/writers/language:

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Personal essays/memoir:

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Feminism:

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Society and Politics:

Film, Television, Music, Art, Fashion and Sport:

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The interviews/profiles:

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The regular columnists:

My Baileys Women’s Prize for Fiction 2017 Wishlist

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It’s almost that time of year again; The Baileys Women’s Prize for Fiction longlist is announced on International Women’s Day, Wednesday 8th March. Once again, I’ll be charing a shadow panel, the other members of which I’ll introduce on Friday. Before both of those things though, I’m going to have a stab in the dark at what might be on the longlist. My success rate is why I refer to this post as my wishlist as opposed to a prediction.

This year the longlist has been reduced from 20 to 12 titles, making it easier to read along and debate what might make the shortlist. Eligible titles are those published between the 1st April 2016 and the 31st March 2017 and written in English.

I’ve reviewed all of the titles I’ve chosen except Stay With Me by Ayòbámi Adébáyò, which I’ll review this week, and Autumn by Ali Smith (which I’ve read but not yet reviewed); click on the covers of the other books to read my reviews.

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Books of the Year 2016, Part Two

Yesterday I revealed my pre-2016 published fiction and 2016 non-fiction books of the year. Today it’s turn the of the 2016 fiction list and what an absolute corker of a year it’s been. (It needed to be to make up for the dire straits that is real life.) I’ve read and reviewed lots of good books so I’ve been very strict for this list and only included books I thought were superb and would happily re-read again and again. Click on the book covers to take you to my full reviews.

4627425830The Essex Serpent – Sarah Perry

If you’ve read my review or follow me on Twitter, it’ll be no surprise that this is my Book of the Year. Set over the course of a year, newly widowed Cora Seabourne decamps from London to Essex with her companion, Martha, and her withdrawn, unusual son, Francis. There she encounters two things which will change her life: the legend of the Essex Serpent, apparently returned and killing man and beast, and local reverend Will Ransome, who’s more modern in his thinking than Cora expects and is quite a match for her intellectually. With themes of science and religion, love and friendship this book is as smart as it is engaging. I didn’t read this book, I lived inside it. Pure joy.

 

41no-ogymgl-_sy344_bo1204203200_The Lesser Bohemians – Eimear McBride

Eily leaves Ireland for London and drama school, determined to lose her virginity. When she does, it’s with Stephen, a relatively famous actor, who she assumes she’ll never see again. Of course it’s only a matter of weeks before she does and, despite the twenty-year age gap – she’s eighteen and he thirty-eight, a relationship, of sorts, begins. Over the course of a year in the 1980s, Eily and Stephen fall in and out of love and Stephen reveals his dark past. Written in a similar staccato, interior style to her debut, McBride places the reader in Eily’s head and we live out the year with her. Superb.

 
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Martin John – Anakana Schofield

Martin John is an ‘inadequate molester’. Exiled to London from Ireland by his mother, following an incident in a dentist’s waiting room, Martin John follows his rituals and circuits to ensure he stays on the right side of the law. But he’s already made a mistake and now Baldy Conscience has stayed too long in John’s house they’ll be consequences. John’s mother’s story is also very interesting, equal parts heartbreaking and disturbing. An unusual subject told in an experimental, circular style, this really does linger long after you’ve finished reading it.

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Under the Visible Life – Kim Echlin

The story of two women, Mahsa Weaver and Katherine Goodnow, who have two things in common: 1) jazz 2) their mixed heritage and the issues which have come with it. Two women who want independence but are prevented from having it in different ways due to their different cultural backgrounds – although all of their issues fall under the banner of patriarchy. Piercingly astute on women’s lives, loves and friendships.

 

 

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Human Acts – Han Kang (translated by Deborah Smith)

The story of the aftermath of the student uprising in Gwangju, South Korea in 1980. Beginning with ‘The Boy’, Dong-Ho outside the municipal gymnasium, listening to the memorial service for the bodies being brought to the gym for families to identify and moving through a number of narrative voices, including the body of Dong-Ho’s friend, Jeong-dae. Shocking, violent and eyeopening.

 

 

coverMy Name Is Leon – Kit de Waal

Carol is struggling following the birth of her second son, Jake. Tony, Jake’s father has no intention of leaving his long-term partner and family and Byron, nine-year-old Leon’s father, did a runner when he was due to go to court. She has no financial support and is suffering from postnatal depression. When Tina, the neighbour, calls social services, Jake and Leon are taken into care, going together to a foster carer’s house. Leon spends his time looking out for Jake, thinking about the things that happened when he lived with his mum and hoping that his mum will get better and come back for them. Instead, Carol disappears and white baby Jake is adopted. Leon, nine-years-old with light brown skin, is left behind with Maureen, the foster carer, with little hope of anyone offering him a permanent home. Heart breaking and precise, de Waal nails a child’s perspective, writing convincingly about a situation not often covered in literature.

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Let Me Tell You About a Man I Knew – Susan Fletcher

1889. Saint-Rémy-de-Provence. There we find Jeanne Trabuc, wife of Charles – ‘The Major’ – the warden of Saint-Paul-de-Mausole, hospital for the mentally ill. A new patient arrives, an artist by the name of Vincent Van Gogh. Jeanne strikes up a friendship with the artist which becomes a catalyst for her long hidden feelings about her life. A wonderful novel about marriage – how it changes over time, how you can never really know someone even after thirty years – and the power of art to change the way you view the world.

 

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Like a Mule Bringing Ice Cream to the Sun – Sarah Ladipo Manyika

Doctor Morayo Da Silva is approaching her 75th birthday. Former academic, ex-wife of an ambassador, she’s seen the world and lived it all. Now settled in San Francisco living a steady, reliable life…or so she tells us. The multiple narrators of this fascinating tale might not agree. Dr Morayo Da Silva is a wonderful character: a woman in her 70s who’s lived a varied life, unafraid to dress as she pleases, contemplate tattoos, read voraciously and discuss sexuality and how she’s found life as a woman and as a person of colour. A gem.

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The Power – Naomi Alderman

A male academic, living in a matriarchy, writes a book about how women gained power – personally, through an electric current which becomes live in their bodies, and politically. The story follows three women: Roxy, a gangster’s daughter; Margot, a mayor, and Allie, an abused foster daughter, as they overturn their situations and begin to run the world. All of this is documented by a male journalist, Tunde, the first to capture the power on camera. Violence, corruption, sexual and domestic abuse, this is indeed a powerful read.

 

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Eileen – Ottessa Moshfegh

24-year-old Eileen lives at home with her cruel, ex-cop father. She works at the juvenile detention centre where she fancies one of the prison guards who never acknowledges her existence. The week before Christmas, 1964, Rebecca Saint John arrives at the institution to be the first ever director of education. She takes a shine to Eileen and Eileen’s life takes a very dark turn indeed.

 

510ryhmdeel-_sy344_bo1204203200_If You Look for Me, I Am Not Here – Sarayu Srivatsa 

Mallika, Siva’s Amma, becomes pregnant with twins: a boy and a girl. The girl, Tara, arrives with the umbilical cord still around her neck and dies moments later. The boy, Siva, survives. But Mallika wanted a girl and her grief for Tara leads her to reject Siva and accuse her husband of killing Tara. Brought up as a boy by his father and grandmother and a girl by his mother, Siva spends his childhood and adolescence questioning whether he is a boy or a girl. His story is interwoven with that of George Gibbs, an Englishman who used to live in their house. Dealing with pertinent issues of gender through interwoven stories of two cultures, the tales are completely engrossing and the writing’s both inventive and precise.

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Dodge and Burn – Seraphina Madsen

An exercise in imagination that takes the reader on a road trip across the west of the USA and the possibilities of experimental fiction. Framed by news reports of a missing American heiress, Eugenie Lund, the story of her childhood and subsequent trip is told mostly through her notebooks. Virtually imprisoned as part of a social experiment by Dr Vargas, Lund’s childhood was an unusual one which ended when her sister disappeared. This is the story of her search for Camille. A welcome addition to the cult fiction genre, reclaiming something from generations of male writers. Hurrah!

In the Media: October 2016, Part One

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

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The fortnight began with the outing of Elena Ferrante. I’m not going to link to the original article, but there’s been a huge reaction to it:

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Photograph by Kate Neil

The other big story of the fortnight has been the release of the film version of The Girl on the Train.

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And the writer with the most coverage is Brit Bennett who’s interviewed on The Cut, the Los Angeles Review of Books, Jezebel, The New York Times and Literary Hub.

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The best of the rest:

On or about books/writers/language:

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Personal essays/memoir:

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Feminism:

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Society and Politics:

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The interviews/profiles:

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The regular columnists:

Book Lists for All Humans #5

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It’s been a while…not because there haven’t been lists published that weren’t gender balanced, I’m sure there have been, more because while I’m not compiling In the Media, I’m not in my media Twitter feed and so I’m not seeing them. However, I was on the Guardian website this afternoon and they’d published a new ‘Top 10 books’ list. DBC Pierre deserves some sort of award for producing the whitest, most male list I’ve seen so far. Apparently, women/people of colour don’t write books that writers should read. Be told people, only white men know how to write.

Here’s my alternative list, please feel free to suggest your own additions/alternatives in the comments:

To create a setting that feels as though it really exists: The Essex Serpent – Sarah Perry

To see complex characters, whose behaviour raises questions about morality, in action: Waking Lions – Ayelet Gundar-Goshen (translated by Sondra Silverston)

To write successfully from a child’s point-of-view: My Name Is Leon – Kit de Waal

To manage a complex structure based on a lunar cycle and as good as any box set: The Luminaries – Eleanor Catton

To change point-of-view in every chapter, including that of a dead body, and detail some of the atrocities of which humans are capable: Human Acts – Han Kang (translated by Deborah Smith)

To incorporate your own life and letters into fiction/essay/critique: I Love Dick – Chris Kraus

To bring a historical character to life: Bring Up the Bodies – Hilary Mantel

To write a coming-of-age story in fragmented sentences: A Girl Is a Half-Formed Thing – Eimear McBride

To write a metafictional account of a massacre: The Gypsy Goddess – Meena Kandasamy

To create an unreliable, first person narrator: The Private Life of Mrs Sharma – Ratika Kapur

 

Links are to my reviews.

My Name Is Leon – Kit de Waal

‘Jake is going to have a new mum and dad.’
‘Why?’
‘Because, love. Just because. Because he’s a baby, a white baby. And you’re not. Apparently. Because people are horrible and because life isn’t fair, pigeon. Not fair at all.

Carol is struggling following the birth of her second son, Jake. Tony, Jake’s father has no intention of leaving his long-term partner and family and Byron, nine-year-old Leon’s father, did a runner when he was due to go to court. She has no financial support and is suffering from postnatal depression. The only emotional support she receives is from Tina, a neighbour, who also looks after the kids for her.

Sometimes, Tina’s boyfriend comes but when he sees Leon he always says, ‘Again?’ and Tina says, ‘I know’.

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When Jake’s four or five months old, Leon goes to Tina’s flat to ask for money. He lies and says his mum’s asked him to go to the shop but Tina goes to Carol’s flat and sees the extent of their issues.

She walks into the sitting room and puts her hand to her mouth. She looks at how untidy Leon has been and how he has sat in front of the telly and eaten his cereal by putting his hand in the box. How he hasn’t put Jake’s nappies in the bin. How he should have opened the window like Tina does in her house and made everywhere smell of baby lotion. Leon sees what Tina sees. Why didn’t he tidy up before he asked her for any money?

She calls social services and Jake and Leon are taken into care, going together to a foster carer’s house. Leon spends his time looking out for Jake, thinking about the things that happened when he lived with his mum and hoping that his mum will get better and come back for them. Instead, Carol disappears and white baby Jake is adopted. Leon, nine-years-old with light brown skin, is left behind with Maureen, the foster carer, with little hope of anyone offering him a permanent home.

The opening chapters of My Name Is Leon are some of the most heart breaking I’ve ever read. de Waal’s nails the perspective of a nine-year-old – no mean feat – and exploits it to convey the horror of the situation Carol and her children find themselves in. Three things make this so impressive: the narrative’s factual (within its fictional world) not manipulative; adult perspectives are skilfully woven in through things Leon sees and hears but can only interpret in limited ways for himself, and it is so utterly realistic. There’s no doubt that de Waal’s experience in family law has supported her portrayal of a single parent family in crisis.

The novel goes on to follow Leon as he remains in foster care, hopes to see his mum again and attempts to find baby Jake. When a social worker brings him a BMX, he begins to visit the local allotments where he starts to hang out with Tufty. Tufty takes a shine to Leon, showing him how to create a garden much to the annoyance of local busybody Mr Devlin. de Waal uses their story to create a subplot about police treatment of black men and prejudice surrounding those whose lives appear to be lived outside of the average experience.

My Name Is Leon is a stunning novel. Heart breaking and precise, it illuminates an experience not often written about.

 

Thanks to Viking for the review copy.

In the Media, May 2016, Part Three

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

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Books in translation have been having a moment following Han Kang and translator Deborah Smith winning the Man Booker International Prize for The Vegetarian. They wrote, ‘It is fascinating to ponder the possibili­ties of language‘ for The Guardian; Charles Montgomery wrote, ‘The Triumph of Han Kang and the Rise of Women’s Writing in Korea‘ in The Los Angeles Review of Books; Sophie Hughes wrote, ‘On the Joyful Tears of a Translator‘ on Literary Hub. Judith Vonberg writes, ‘Translated fiction is not a genre. Why do bookshops tell us it is?‘ in The New Statesman and Anjali Enjeti asks, ‘Do Americans Hate Foreign Fiction‘ on Literary Hub

‘The abiding memory of my childhood is being unwelcome wherever we went’… Nina Stibbe.

The best of the rest:

On or about books/writers/language:

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Personal essays/memoir:

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Feminism:

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Society and Politics:

Film, Television, Music, Art, Fashion and Sport:

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The interviews/profiles:

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The regular columnists:

In the Media, May 2016, Part One

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

Jenny Diski at the LRB bookshop in London.

The last fortnight’s been dominated by death. On Thursday, Jenny Diski died less than two years after being diagnosed with terminal cancer. Literary Hub ran ‘Remembering Jenny Diski‘ including pieces from Hayley Mlotek, Michelle Dean, Joanna Walsh, Bridget Read, Laura Marsh, Marta Bausells and Charlotte Shane. The Guardian ran an extract from her cancer diary. Joanne Harris wrote a found poem ‘Opium Ice Cream‘ from Diski’s tweets, and The London Review of Books opened Jenny Diski’s entire archive to non-subscribers.

The previous week comedian Victoria Wood died. A.L. Kennedy declared her, ‘My Hero‘ in The Guardian; Helen Walmsley Johnson wrote, ‘Victoria Wood gave us the gift of being able to laugh at ourselves‘ in The New Statesman

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Although he’s not a female writer, Prince also died just over a week ago and so much brilliant writing by women has come from that: Porochista Khakpour, ‘Prince’s Woman and Me: The Collaborators Who Inspired a Generation‘ in the Village Voice; Maya West, ‘A Hierarchy of Love and Loss and Prince‘ on Jezebel; Bim Adewunmi, ‘Celebrating Prince For 48 Hours In Minneapolis‘ on Buzzed; Heather Haverilsky, ‘Prince Showed Me a Whole New Way of Existing‘ on The Cut; Amanda Marcotte, ‘Sexy MFers, unite: The feminist power of Prince’s sex-positive songs‘ on Salon; K.T. Billey, ‘Prince and the queer body: Our dirty patron saint of pop gave me permission to think outside the gender binary‘ on Salon; Kaitlyn Greenidge, ‘Surviving a Long Alaskan Winter with Prince‘ on Literary Hub; Julianne Escobedo Shepherd, ‘Prince Spent His Life Elevating and Mentoring Women‘ on Jezebel; Lily Burano, ‘Why Prince Was a Hero to Strippers‘ on The Cut; Ashley Weatherford, ‘Understanding the Politics of Prince’s Hair‘ on The Cut; Mona Hayder, ‘Prince Was a Demigod Who Uplifted the Masses Through Music‘ on Literary Hub; Naomi Jackson, ‘Prince: Finding Joy Outside Conformity‘ on Literary Hub; Rhiannon Lucy Cosslett, ‘Prince conjured the kind of sex you’d want to have – filthy and fun, and sometimes offensive‘ in The Independent; Tracy King, ‘We should celebrate Prince for championing female musicians‘ in The New Statesman; Laura Craik, ‘“I loved him because of how his music made me feel”‘ on The Pool; Michelle Garcia, ‘Prince gave black kids permission to be weirdos‘ on Vox; Ijeoma Oluo, ‘Prince Was The Patron Saint Of Black Weirdos‘ on The Establishment.

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Other brilliant writing about music came from the launch of Beyoncé’s new album Lemonade. Brittany Spanos, ‘How Beyonce’s ‘Lemonade’ Reclaims Rock’s Black Female Legacy‘ in Rolling Stone; Mandy Stadtmiller, ‘How Lemonade Helped Me Talk to My Husband About Cheating‘ on The Cut; Treva Lindsey, ‘Beyoncé’s Lemonade Isn’t Just About Cheating, It’s About Black Sisterhood‘ in Cosmopolitan; Caroline O’Donoghue, ‘Monica, Becky With The Good Hair, and the power of the Other Woman‘ in The Pool; Diamond Sharp, ‘Beyonce’s ‘Lemonade’ Is an Anthem for the Retribution of Black Women‘ on Vice; Morgan Jerkins, ‘‘Lemonade’ Is About Black Women Healing Themselves and Each Other‘ in Elle; Daisy Buchanan, ‘What can Beyoncé’s Lemonade teach us about love?‘ on The Pool; Vanessa Kisuule, ‘Why Beyoncé’s ‘Lemonade’ Shows a Refinement of her Artistry‘ on Gal-Dem; Carrie Battan, ‘Beyoncé’s “Lemonade” Is a Revelation of Spirit‘ in The New Yorker; Priscilla Ward, ‘Beyoncé’s radical invitation: In “Lemonade,” a blueprint for black women working through pain‘ on Salon; Ezinne Ukoha, ‘I Will Do Better By My Sisters‘ on Medium; June Eric-Udorie, ‘Beyoncé’s Lemonade, and the power it bestows young black women‘ on The Pool; Rafia Zakaria, ‘Warsan Shire: the Somali-British poet quoted by Beyoncé in Lemonade‘ in The Guardian; Juliane Okot Bitek wrote, ‘On the Poet Warsaw Shire, Nobody’s Little Sister‘ on Literary Hub. While Jamila addressed Piers Morgan’s criticisms of the album with ‘Dear Piers…‘ on her blog.

And I wanted to include this story because it’s just lovey: Jessie Burton’s new novel The Muse includes a setting named after Waterstones’ bookseller Leila Skelton. Skelton does the most incredible window displays at the Doncaster shop which are often shared on Twitter.

The best of the rest:

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On or about books/writers/language:

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Personal essays/memoir:

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Feminism:

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Society and Politics:

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Film, Television, Music, Art, Fashion and Sport:

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The interviews/profiles:

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The regular columnists:

In the Media: February 2016, Part One

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

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This fortnight, Frances Hardinge became the first children’s author to win the Costa Book of the Year Award since Philip Pullman in 2001. Hardinge’s interviewed in The Guardian. Aria Akbar in The Independent used Hardinge’s win to remind us that adults can and do read children’s books too, ‘Here’s hoping this ‘moment’ for children’s fiction leads to a golden age‘ while Caroline O’Donoghue asked, ‘Why is it so easy to fall in love with children’s books?‘ on The Pool.

The other bookish talking point has been around those titles Marion Keyes named ‘Grip-Lit’ i.e. so gripping you don’t want to stop turning the pages. Alexandra Heminsley writes, ‘Grip-lit, and how the women in crime fiction got interesting‘ on The Pool, while Sophie Hannah says, ‘Grip-lit? Psychological thrillers were around long before Gone Girl‘ in The Guardian.

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The best of the rest:

On or about books/writers/language:

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Personal essays/memoir:

Feminism:

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Society and Politics:

Film, Television, Music, Art and Fashion:

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The interviews:

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The regular columnists:

Ones to Read in 2016

2016 is already being talked about as a ‘vintage year’ in terms of forthcoming books. In the second half of the year there’s a spate of second novels from writers who published fantastic debuts two or three years ago. There’s also lots of promising looking books from more established writers. I’m looking forward to all of those but there’s the first half of the year to talk about first.

Initially, I was going to limit this list to ten books; I could’ve populated that list three times over with the wealth of good stuff coming in the next six months. So, the list’s a little longer and the books I’ve chosen to recommend are those that, for me, had the ‘wow factor’ (often for different reasons). Listed in order of publication, all publication dates are UK and subject to change; full reviews will appear on the week of publication.

Human Parts – Han Kang (translated by Deborah Smith)

Human Acts centres around the student uprising in Gwangju, South Korea in 1980. Beginning with Dong-Ho working in the gymnasium where the bodies are being brought and looking for the friend he abandoned, the story moves through a variety of characters as the repercussions of the army’s suppression is felt throughout the city. Brave, brutal, brilliant.

Wow Factor: the variety of voices/perspectives (credit to Deborah Smith’s translation); the sudden switches to violent imagery

#ReadDiverse2016 #womenintranslation #translationthurs #ReadWomen

Published by Portobello Books 7th January 2016

American Housewife – Helen Ellis

A short story collection giving voice to a variety of American housewives. From the emails of two neighbours who move from passive aggressive to downright aggressive moves regarding the décor of their shared hallway to the struggling writer taking part in an antiques reality TV show to the woman allowing junior pageant participants to escape, this is a sharp, darkly funny look at women’s lives.

Wow Factor: the dark humour; the insight into people’s (often appalling) behaviour

#ReadWomen

Published by Scribner 14th January 2016

Paulina & Fran – Rachel B. Glaser

Art students, Paulina and Fran, meet at a party. Self-conscious and desperate to be liked, they (Paulina in particular) behave appallingly, feigning an air of indifference. But when they leave art school, they have to negotiate their own ways in the world and decide how much their friendship’s really worth.

Wow Factor: the dark humour; the insights into a type of female friendship and behaviour

#ReadWomen

Published by Granta 14th January 2016

If You Look For Me, I Am Not Here – Sarayu Srivatsa

Mallika gives birth to twins but only one survives: a boy, Siva. But she wanted a girl and refuses to believe her daughter’s dead. She calls Siva, Tara and flies into a rage if anyone attempts to do otherwise. Narrated by Siva, who believes his sister lives within him still, this is a beautifully written novel about trying to find your own identity.

Wow Factor: the language; the storytelling

#ReadDiverse2016 #womenintranslation #translationthurs #ReadWomen

Published by Bluemoose Books 21st January 2016

The Trouble with Goats and Sheep – Joanna Cannon

If you’re on social media, you’ve no doubt heard lots about this novel already. If hype puts you off, ignore it and get stuck into this regardless. The story of a ‘normal’ street in England in the heatwave of 1976. Margaret Creasy’s disappeared and she knows everyone’s secrets. Ten-year-olds Grace and Tilly set out to find her and uncover a whole lot more in the process.

Wow Factor: the psychological insight

#ReadWomen

Published by Borough Press 28th January 2016

Rush Oh! – Shirley Barrett

Eden, New South Wales, 1908. The story of a whaling season told from the point-of-view of Mary Davidson, the 19-year-old daughter of a whaling family. There’s whales, running a family after the death of their mother and a romance with former Methodist minister, John Beck. Often funny, feminist and fascinating.

Wow Factor: the voice; the descriptions of the whales and whaling

#ReadWomen

Published by Virago 4th February 2016

Under the Visible Life – Kim Echlin

The 1960s. Two girls. Mahsa, born to an Afghan mother and an American father, is orphaned after her parents are killed. When the relative she’s sent to live with discovers her relationship with a boy they send her to study in Montreal. There her love of jazz music grows and brings her a lifetime’s friendship with Katherine. Born to an American mother and a Chinese father who she never meets, Katherine sneaks out and begins playing the jazz clubs as a teenager. They lead her to a lifelong romance with an unreliable man. A gripping story of women who want more than society wants to allow them. Already a firm contender for book of the year.

Wow Factor: the language; the protagonists; the insight into relationships, marriage and family

#ReadWomen

Published by Serpent’s Tale 4th February 2016

Martin John – Anakana Schofield

Martin John is an ‘inadequate molester’. Sent to London by his Irish mother, he works, goes to visit Aunty Noanie, phones his mum regularly and circuits Euston Station looking for women he can rub up against. As his mental health deteriorates so does Martin John’s behaviour, revealed in vignettes and repetitive language. But it’s his mother’s story that will really get to you.

Wow Factor: the language; the mother’s story

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Published by And Other Stories 4th February 2016

The Ballroom – Anna Hope

1911. An asylum on the edge of the Yorkshire moors. Ella Fay’s incarcerated for breaking a window in the textile factory in which she worked. John Mulligan was brought there emaciated and destitute. When John and Ella meet at the dance inmates are allowed to attend on Friday evenings if they’ve been ‘good’, a romance begins. The third wheel in the story is the doctor, Charles Fuller, who’s been at the asylum for five years. A disappointment to his parents, he decides he’s going to make his name with some research on eugenics. Gripping.

Wow Factor: the language; the treatment of the main theme

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Published by Doubleday 11th February 2016

Mend the Living – Maylis de Kerangal (translated by Jessica Moore)

Told over a 24-hour period from the moment Simon Limbeau’s alarm goes off and he leaves to go surfing with his friends to the point when his heart is transplanted into someone else’s body. de Kerangal tells a gripping tale of the procedure that occurs when an emergency transplant can take place. As the timeline progresses, she dips into the lives of all those involved in the procedure.

Wow Factor: the language; the dipping into the life of each character involved in the transplant

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Published by MacLehose Press 11th February 2016

Eileen – Ottessa Moshfegh

1964. 24-year-old Eileen is thin, jagged, angry and unhappy. She lives with her retired, ex-cop, alcoholic father and works as a secretary at a private juvenile correctional facility for teenage boys. Desperate to leave her grim homelife, Eileen dreams of moving to New York. The novel tells the story of the week before Christmas 1964, the week Rebecca Saint John comes to work at the facility. Dark and disturbing, the less you know about this book before diving in the better.

Wow Factor: the perspective; the plotting

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Published by Jonathan Cape 3rd March 2016

Not Working – Lisa Owens

After the day she felt an impulse to start swallowing office supplies, Claire Flannery quit her job to work out what she really wanted to do. Told in vignettes about her long-term relationship with Luke, trips on the tube, increasingly drunk nights out with friends and fall-outs with family members, Claire could be any one of us.

Wow Factor: the protagonist; the insight into a 21st Century female psyche

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Published by Picador 21st March 2016

The Cauliflower® – Nicola Barker

A fictionalised biography of guru, Sri Ramakrishna. Told in fragments partly by his nephew, Hriday, but also by an anachronistic film director and another narrator. Using haiku and script as well as prose, Barker tells the story of a man elevated by faith and raises questions about the nature of worship.

Wow Factor: Barker’s unique style

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Published by William Heinemann 21st April 2016

My Name Is Leon – Kit de Waal

1980. Tina gives birth to baby Jake when Leon’s nine, but she struggles to cope and when the upstairs neighbour rings social services Jake and Leon are taken into care. Initially they both go to live with Maureen, an experienced foster parent, but soon baby Jake – who’s white-skinned – has people who want to adopt him. Older, black-skinned, Leon is left with Maureen and his anger at the unfairness of the world. Searing and heartbreaking.

Wow Factor: the voice; the insight into a life of poverty, mental illness and foster care

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Published by Viking 2nd June 2016
Thanks to all the publishers for review copies.