In the Media, April 2017, Part One

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

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Photograph by Murdo MacLeod

 

Women have been dominating the prize wins for the past fortnight. Hollie McNish won the Ted Hughes Prize and Kiran Millwood Hargrave won the Waterstones Children’s Book Prize with The Girl of Ink and Stars.

While The Baileys Women’s Prize for Fiction shortlist was announced. Rebecca May Johnson writes ‘Notes on . . . the Baileys Women’s Prize‘ (and reading women more generally) in the Financial Times. There are interviews with several of the longlisted writers on the prize’s site: Madeleine Thien, Naomi Alderman, Linda Grant, Yewande Omotoso, Heather O’Neill, Fiona Melrose, Eimear McBride, Emma Flint.

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The best of the rest:

On or about books/writers/language:

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Personal essays/memoir:

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Feminism:

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Society and Politics:

Film, Television, Music, Art, Fashion and Sport:

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The interviews/profiles:

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The regular columnists:

In the Media: February 2016, Part One

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

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This fortnight, Frances Hardinge became the first children’s author to win the Costa Book of the Year Award since Philip Pullman in 2001. Hardinge’s interviewed in The Guardian. Aria Akbar in The Independent used Hardinge’s win to remind us that adults can and do read children’s books too, ‘Here’s hoping this ‘moment’ for children’s fiction leads to a golden age‘ while Caroline O’Donoghue asked, ‘Why is it so easy to fall in love with children’s books?‘ on The Pool.

The other bookish talking point has been around those titles Marion Keyes named ‘Grip-Lit’ i.e. so gripping you don’t want to stop turning the pages. Alexandra Heminsley writes, ‘Grip-lit, and how the women in crime fiction got interesting‘ on The Pool, while Sophie Hannah says, ‘Grip-lit? Psychological thrillers were around long before Gone Girl‘ in The Guardian.

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The best of the rest:

On or about books/writers/language:

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Personal essays/memoir:

Feminism:

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Society and Politics:

Film, Television, Music, Art and Fashion:

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The interviews:

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The regular columnists:

In the Media: 24th May 2015

In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

The Cannes Film Festival’s been in the spotlight (haha) this week for turning women away from a screening because they were wearing flat shoes. Heels as compulsory footwear for women may or may not (depending which day it is someone asks) be part of their dress policy. Helen O’Hara writes ‘How the 2015 Cannes Film Festival became all about women‘  while Laura Craik asks, ‘Is the tyranny of high heels finally over?‘ both in The Pool. Hadley Freeman wrote, ‘Can’t do heels? Don’t do Cannes‘ in The Guardian, while Elizabeth Semmelhack wrote, ‘Shoes That Put Women in Their Place‘ in The New York Times

The other big feminist story was about ‘wife bonuses’ after Wednesday Martin wrote a piece for the New York Times called, ‘Poor Little Rich Women‘. Amanda Marcotte asked, ‘What’s Wrong With “Wife Bonuses”?‘ in Slate

Awards this week went to the five 2015 Best Young Australian Novelists, three of whom are women, all of whom are women of colour – hurrah for progress. Also in Australia, the shortlist for the Miles Franklin Award was revealed, four of the five shortlisted writers are women. The O. Henry Prize Stories for 2015 were announced. Of the twenty selected, fifteen were by women. You can read those by Dina Nayeri, Molly Antopol and Lynne Sharon Schwartz by clicking on their names.

The best of the rest:

On or about books/writers/language:

Personal essays/memoir:

Feminism:

Society and Politics:

Film, Television, Music and Fashion:

The interviews:

If you want some fiction to read:

Photograph by Kwesi Abbensetts

If you want some poetry to read:

If you want some non-fiction to read:

The lists:

In the Media: 1st March 2015

In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. Also, just a note to make it clear that I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely.

I’ve spent a fair proportion of this week agog at some of the comment pieces, particularly in regard to the three girls from Bethnal Green who appear to be en route to Syria. Emma Barnett in the Telegraph wrote, ‘Stop pitying British schoolgirls joining Islamic State – they’re not victims‘; Grace Dent in the Independent said, ‘If teenage girls want to join Isis in the face of all its atrocities, then they should leave and never return‘; Mary Dejevsky wrote, ‘If Britons want to join Isis, let them go‘ in The Guardian and Allison Pearson said, ‘Let’s stop making excuses for these ‘jihadi brides‘ in the Telegraph. Judith Wanga responded on Media Diversified with, ‘The Denial of Childhood to Children of Colour‘, as did Chimene Suleyman with, ‘It’s Time To Talk About Why Our Young People Turn Against Their Country‘ and Nosheen Iqbal in The Guardian with, ‘The Syria-bound schoolgirls aren’t jihadi devil-women, they’re vulnerable children‘. Emma Barnett responded with ‘Racists are alive and well in Britain – but I’m not one of them‘ in the Telegraph. Chimene Suleyman also wrote, ‘‘Defining’ Terror, and Why ISIS Suits the West‘ on Media Diversified, prior to these most recent articles.

The Oscar ceremony was another place for some jaw-dropping comments. Megan Kearns wrote, ‘Patricia Arquette Undermined Her Own “Most Feminist Moment” of the Oscars‘ in Bitch Magazine; Betsy Woodruff commented, ‘The Gender Wage Gap Is Especially Terrible in Hollywood‘ on Slate; Maitri Mehta wrote, ‘Patricia Arquette Defends Her Oscars Backstage Comments On Twitter, But Still Misses The Point‘ on Bustle; Jenny Kutner also wrote about Arquette’s tweets on Salon, ‘Patricia Arquette doubles down on equal pay: “Why aren’t you an advocate for equality for all women?”‘; Amanda Marcotte wrote, ‘Patricia Arquette’s Feminism: Only for White Women‘ on Slate; Katie McDonough wrote, ‘“Fight for us now”: What Patricia Arquette got right (and wrong) about equal pay‘ on Salon. Brittney Cooper wrote, ‘Black America’s hidden tax: Why this feminist of color is going on strike‘ in Salon.

Remarks made by one television reporter about Zendaya Coleman’s locs prompted pieces by Loretta de Feo, ‘Why do we feel the need to taunt and judge black hair, rather than embrace it?‘ in Stylist; Jodie Layne, ‘Why Zendaya’s Response To Giuliana Rancic’s Awful ‘Fashion Police’ Comments Is Important‘ on Bustle, and Grisel E.Acosta wrote, ‘“Racism begins in our imagination:” How the overwhelming whiteness of “Boyhood” feeds dangerous Hollywood myths‘ on Salon.

The Brits were written about by Tracey Thorn in the New Statesman, ‘The Brits are so polite these days. One reason? There’s no bands left‘; Bidisha wrote, ‘Madonna is superhuman. She has to be to survive the ugly abuse‘ in The Guardian; while Salena Godden covered both the Oscars and the Brits in ‘Julianne Moore is 54. Madonna is 56.‘ on Waiting for Godden

Writing awards wise, the Sunday Times Short Story Award shortlist was announced and is dominated by women. As is the Walter Scott Prize longlist, released to the public for the first time.

There’s an entire series of articles currently being published in the Irish Times on Irish Women Writers. The link will take you to the round-up so far. While academic Diane Watt has just completed 28 days of LGBT book recommendations. You can read this week’s in a Storify here; links at the bottom of the page will take you to previous weeks.

And the woman with the most publicity this week is Kim Gordon. She’s this week’s New York Times ‘By the Book‘; there’s an excerpt from Girl in a Band in The Cut; you can listen to Gordon herself read an extract on Louder than War; there are five standout moments from her memoir on Slate, and in The New Yorker, Michelle Orange writes about ‘Kim Gordon, Kurt Cobain, and the Mythology of Punk‘.

The best of the rest articles/essays:

The interviews:

If you want some fiction/poetry to read:

Or some non-fiction:

The lists: