The Baileys Women’s Prize for Fiction 2016 Shadow Panel Winner

The official winner of the Baileys Women’s Prize for Fiction 2016 will be announced tomorrow evening. Prior to that, our shadow panel have chosen a winner from our shortlist. *drumroll*

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It was a unanimous decision based upon our re-reading of the novels we’d chosen for our shortlist. A God in Ruins not only stood up to a second read but was the novel we all got something more from second time around. That something ranged between concerns about characterisation dissipating to sheer marvel at how Atkinson plants throughout the book the idea that this is fiction, moving effortlessly through the time and space of her world without ever sacrificing the story.

Inevitably we discussed the decision by the official panel not to include the book on their shortlist. We’re still baffled. However, that didn’t have a baring on our decision other than the fact that we believe A God in Ruins was the best book on the longlist, indeed was one of the books of 2015.

The Baileys’ Women’s Prize for Fiction Shadow Panel Shortlist

After four weeks of reading and discussion, our shadow panel have decided upon the following shortlist. Like the official judges, we will be re-reading our choices and deciding upon a winner at the beginning of June. The official shortlist is announced this evening; we’re looking forward to seeing how it compares.

If you click the covers of the novels, they will take you to my reviews.

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The Bailey’s Women’s Prize for Fiction Longlist 2016

Baileys Women's Prize for Fiction 2016 Longlisted Books1

8th March 2016: The Baileys Women’s Prize for Fiction announces its 2016 longlist, comprised of 20 books that celebrate the best of fiction written by women

Here they are, the 20 books longlisted for this year’s Bailey’s Women’s Prize for Fiction. In alphabetical order (of author’s surname):

A God In Ruins – Kate Atkinson

Rush Oh! – Shirley Barrett

Ruby – Cynthia Bond

The Secret Chord – Geraldine Brooks

The Long Way to a Small, Angry Planet – Becky Chambers

A Dictionary of Mutual Understanding – Jackie Copleton

Whispers Through a Megaphone – Rachel Elliott

The Green Road – Anne Enright

The Book of Memory – Petina Gappah

Gorsky – Vesna Goldsworthy

The Anatomist’s Dream – Clio Gray

At Hawthorn Time – Melissa Harrison

Pleasantville – Attica Locke

The Glorious Heresies – Lisa McInerney

The Portable Veblen – Elizabeth McKenzie

Girl at War – Sara Nović

The House at the Edge of the World – Julia Rochester

The Improbability of Love – Hannah Rothschild

My Name Is Lucy Barton – Elizabeth Strout

A Little Life – Hanya Yanagihara

My initial reaction is that the three books I thought were certs are all on there – A God in Ruins, My Name Is Lucy Barton and A Little Life. Very pleased to see all three.

I predicted six of the titles, which is my highest success rate ever! Very pleased to see Girl at War on the list as well as The Portable Veblen. I’ve enjoyed all those I’ve already read, which includes The Green Road which I haven’t posted my review for yet.

As for the rest of the list, I’m delighted to see Pleasantville – I loved Black Water Rising and have had the latest on my TBR pile for ages. I’ve also heard good things from people I trust about The Book of Memory, At Hawthorn Time and The Glorious Heresies.

As always with The Bailey’s Prize there are some books I hadn’t heard of before I saw the list. My absolute favourite part of this is reading those titles, there’s always one in there that surprises me with its brilliance. On looking through the blurbs, I can’t believe I hadn’t come across Ruby, it’s had so many fantastic reviews, and The Anatomist’s Dream is perfect for my PhD thesis so I’m very pleased it’s come to my attention.

I’m looking forward to getting stuck into the reading and debating the books with the rest of the shadow panel. I’m hoping you’ll join in the discussion on our blogs and Twitter too. Can’t wait to hear what everyone thinks of the chosen titles.

 

 

My Bailey’s Women’s Prize for Fiction 2016 Wishlist

It’s almost time! The Bailey’s Women’s Prize for Fiction longlist will be announced next Tuesday, 8th March. Once again, I’ll be shadowing the prize and for the second year running, I’ll be doing so with a panel. I’ll introduce you to the members of that panel on Friday.

For now though, here are the books I’d like to see appear on Tuesday’s list. They’re a combination of books I’ve loved and those I’m keen to read based on what I’ve heard about them so far. I’ve had to cull this list significantly to keep it to 20 books so, as usual, anything’s possible with the real one!

To be eligible, books have to be written in English and first published in the UK between 1st April 2015 and 31st March 2016. Publishers can enter three full length novels per imprint plus anything eligible by writers who have previously won the prize.

I’ve reviewed the first eleven titles – click on the covers to go to my reviews – and read the next three as well (reviews coming soon).

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Books of the Year, Part Two: 2015 Publications

Here we are then, the books from this year I’ve read and rated most highly. I’m basing my choices on the very unscientific, I thought it was brilliant at the time and I’m still thinking about it. I was concerned this would skew the list towards the end of the year but it hasn’t at all – two thirds of the books are from the first half of 2015. Publication dates are UK (where applicable) and if you click on the cover it will take you to my review.

Citizen – Claudia Rankine 

A superb book. An examination of race and the treatment of black people in present day America. Rankine uses flash fiction, essays and poetry to explore the way people of colour ‘…feel most colored when I am thrown against a sharp white background’ and, by implication, how often, as a white person, you are complicit in creating and maintaining that background. Short, sharp and powerful, I’d like to see a copy of Citizen distributed to every household, taught in schools and university, and added to the canon. If you believe art can change the world, this is a book that should be able to do so.


A Little Life
– Hanya Yanagihara

It’s divided readers and critics but I make no apologies for including this book for several reasons: it’s utterly absorbing, I felt as though I’d been entombed in Yanagihara’s world; it focuses on male friendship which I think is unusual; the friendship group consists of four men of different ethnicities and different sexualities, one of whom is disabled and Yanagihara has written about their lives as though they are, well, people. They are not defined by their ethnicity or sexuality and this feels like a break through. It’s huge and harrowing and clearly not for everyone but I’m still thinking about it six months on.

 

The House in Smyrna – Tatiana Salem Levy (translated by Alison Entrekin)

A short, sharp tale told in fragments. At the centre of the book is the story of the key given to the unnamed narrator by her grandfather: the key to his old house in Turkey, in Smyrna. There are four threads to the book: the narrator’s journey to her grandfather’s house; the grandfather’s journey from the house to the woman who became the narrator’s grandmother; the narrator’s relationship with her dead mother, and the narrator’s passionate affair with an unnamed man. A shocking and beautiful novella about exile in many different forms.

The Private Life of Mrs Sharma – Ratika
Kapur 

Mrs Sharma’s thirty-seven-years-old and married with a fifteen-year-old son, Bobby. They live in a flat in Dehli with her parents-in-law. Her husband, Dheeraj, a physiotherapist, has been working in Dubai for over a year in a bid to raise enough money to cover his parents’ medical bills and send his son to college to do an MBA in business. She works as a receptionist in a gynaecological clinic and dreams of starting her own business. Mrs Sharma’s veneer begins to crack when she meets Vineet Seghal on a station platform. Tightly plotted with precise, often repetitive, language, this is a brilliant book about an unfulfilled woman.

Vigilante – Shelley Harris

Jenny Pepper, 42, manager of a charity bookshop, married to Elliot, graphic designer, with a 14-year-old daughter, Martha, is fed-up of her life. She’s particularly annoyed and frustrated by the way men objectify women and the consequences of this behaviour. Donning a superhero costume for a fancy dress party, she stops a mugging and gets a taste for the vigilante lifestyle. Before long, she’s on the tale of someone who’s attacking teenage girls. A gripping and believable look at the concerns of a middle-aged woman and her life.

 

The Last Act of Love – Cathy Rentzenbrink

When Cathy Rentzenbrink was seventeen, her sixteen-year-old brother, Matty, was hit by a car and left in a persistent vegetative state for eight years. The book is Rentzenbrink’s story of the effect of Matty’s accident on her and her family. Told in an unflinching first person account with a huge amount of love and dollops of humour, Rentzenbrink brings the Matty she loved back to life and pays tribute to her parents without descending into mawkishness. Heartbreaking and heartwarming. Buy tissues before reading, I’m welling up just thinking about it.

 

A God in Ruins – Kate Atkinson

A companion piece to Life After LifeA God in Ruins focuses on Ursula’s younger brother, Teddy and those who’ve shared his life – his wife, Nancy; daughter, Viola; grandchildren, Bertie and Sunny, and the men he served alongside in the RAF. The structure’s non-chronological, creating a jigsaw puzzle of Teddy’s life and the lives of his family members for the reader to reconstruct; every chapter capable of standing alone as a story in its own right. The chapters set in the war are some of Atkinson’s best writing but this is more than a character study, it’s a book that explores what fiction is. Superb.

 

The Vegetarian – Han Kang (Translated by Deborah Smith)

Mr Cheong chose his wife, Yeong-Ho, because she’s passive. But then, due to a set of reoccurring dreams, she turns vegetarian; a highly unorthodox act in South Korea. The reactions of Mr Cheong and Yeong-Ho’s family turn dark and sometimes violent quite quickly. But Yeong-Ho’s brother-in-law is fascinated with her and her mongolian mark which leads to him creating a physical work of art with her. A disconcerting story that explores society’s treatment of a woman who defies expectations and how her internalisation of those expectations affects her psyche.

 

The Ship – Antonia Honeywell 

In the not so distant future where banks have collapsed, the homeless population is out of control, food is scarce and the military rule, Lalage is protected by her father, Michael Paul, and his creation, the ship. The ship is a version of paradise, stocked with everything you might need and more. As it sets sail with Michael Paul’s chosen people on it, Lalage begins to question her father’s motives and what she really wants from life. The Ship raises questions of wealth and poverty; of governments who fail to protect all their citizens; of the value of art and artefacts. It’s futuristic setting is misleading, this is really a novel about what’s happening to society now.

The First Bad Man – Miranda July 

Cheryl Glickman, early forties, lives alone and works for a company who make self-defence, fitness DVDs. She has two fascinations: Phillip Bettelheim and babies who might be Kubelko Bondy, the son of her parents’ friends. Cheryl’s bosses ask if their daughter, Clee, can move in with her until she finds a job. First Clee trashes Cheryl’s system for keeping the house clean and tidy, then she’s physically fighting Cheryl for extended periods before Cheryl begins imagining herself as Phillip having sex with Clee. It sounds absurd but it’s a sharp exploration of loneliness which transforms into something emotionally fulfilling.

The Wolf Border – Sarah Hall

Rachel has spent almost a decade in Idaho, monitoring wolves on a reservation but an unplanned pregnancy, the death of her mother and the offer of a job supporting the reintroduction of the Grey Wolf to Great Britain sees her returning to the Lake District. The Wolf Border considers a variety of different intersections that humans come up against – birth, death, addiction, love, political change and, of course, nature. The precision of the language, particularly in the descriptions of the Lake District and the wolves, is superb as is the characterisation of Rachel. One of our best novelists, probably her best book.

Grow a Pair: 9 1/2 Fairytales About Sex 
 – Joanna Walsh

From the very opening sentences of the first story to the end of the afterword of Grow a Pair transformations occur: characters adopt and change their genitalia; a man becomes a woman; a queen becomes a witch; a woman fragments into multiple vaginas. Walsh mixes retellings of traditional fairytales like ‘The Princess and the Penis’ with new pieces. Filled with as many moments of humour as it is ones of magical realism, the collection allows its women to take control of their own sexuality and fulfilment. Entertaining, smart and thoughtful.

The Gracekeepers – Kirsty Logan

A dual narrative following two young women – North, who lives with Circus Excalibur, travelling the sea but performing most nights on land with her bear, and Callanish, the gracekeeper, living on a tiny island by the graveyard and performing Restings for the dead. North has a number of issues to deal with – she’s engaged to Ainsel and his father wants them to live on land, but she doesn’t want either of these things; Ainsel’s mother is jealous, and North is pregnant to someone else. She’s also tied to Callanish in ways that only begin to reveal themselves when the two meet. A beautifully rendered world.

 

An Untamed State – Roxane Gay 

Mirelle is kidnapped in front of her husband, Michael, and their baby, Christophe, directly outside the heavy steel gates at the bottom of the drive to her parents’ house in Haiti. She’s been taken because her father’s rich and the kidnappers believe he will pay a lot of money for her, his youngest and favourite daughter in U.S. dollars. He refuses, assuming they will return her unharmed. She’s repeatedly raped and tortured. The majority of the book deals with the aftermath, looking at whether it’s possible to rebuild a life, a marriage, a familial relationship after such horror. An interesting examination of power and privilege.

Talk of the Toun – Helen MacKinven

Angela’s short-term ambition is for her and her best friend, Lorraine, to lose their virginity over the summer holidays. Long-term, she wants to move away from the council scheme she’s grown up on and attend Glasgow School of Art. Her parents are determined she’s getting a job. Over one summer in the 1980s, Angela and Lorraine’s friendship will deteriorate thanks to Pamela aka Little Miss Brown Nose and Stevie Duffy, just out of borstal and ‘a total ride’. Class, religion, family and friendships are all explored but it’s the perceptive look at women’s sexuality and the use of Scots dialect that really make this a stand out read.

 

Honourable mentions also go to The Hourglass Factory by Lucy Ribchester; The Table of Less Valued Knights by Marie Phillips; Dear Thief by Samantha Harvey; Hausfrau by Jill Alexander Essbaum, The Chimes by Anna Smaill and Our Endless Numbered Days by Claire Fuller.

A God in Ruins – Kate Atkinson

There was a handwritten sign attached to the shelf that said, ‘Please dear friend, leave these books in the condition that you found them’, which was ridiculous as no book could ever be left in the condition that you found it in because it was changed every time it was read by someone.

In Life After Life, Ursula’s life was changed every time it reached an end, it was rewritten anew. At first glance, there are no such linguistic trickeries in A God in Ruins, although Atkinson returns us to similar territory.

A God in Ruins is the story of Teddy, Ursula’s much-loved younger brother. Although, it’s more than Teddy’s story, it’s also the story of those around him – his wife, Nancy; daughter, Viola; grandchildren, Bertie and Sunny, and the men he serves alongside in the RAF.

The structure of the novel moves backwards and forwards in time, so begins with a short chapter just before Teddy’s last flight as an RAF pilot and then swiftly returns to Fox Cottage in 1925 and a visit from Izzie. She quizzes Teddy on a walk along the lane from the house to the railway station. Partly, it later becomes apparent so she can write a series of books based on him, The Adventures of Augustus, Augustus being the name of the second of her fiancés to die in the First World War.

A few years later she discovered that fiction could be both a means of resurrection and of preservation. ‘When all else has gone, art remains,’ she said to Sylvie during the next war. ‘The Adventures of Augustus is art?’ Sylvie said, raising an elitist eyebrow…Izzie’s definition of art was broader than Sylvie’s definition, of course. ‘Art is anything created by one person and enjoyed by another.’

By chapter three, we’re in 1980 and Teddy and Nancy’s daughter, Viola, is a grown woman with children of her own. Viola’s quite a creation:

She was twenty-eight but already jaded. Twenty-eight seemed a particularly unsatisfactory age. She was no longer young and yet no one ever seemed to take her seriously as an adult. People still told what to do all the time, it was infuriating. Her only power seemed to be over her own children and even that was limited by endless negotiation.

Viola’s pretty vile: she consistently rails against her father, unable to forgive him for her mother’s dying when she was young. ‘She felt as if she had been on the outside of happiness her whole life.’ She doesn’t seem to know how to show her children affection and, in probably the best chapter in the book, she sends Sunny to live with his father’s family, apparently unaware of either their financial circumstances or their ability to demonstrate love to children either.

Interestingly though, Atkinson uses Viola as the moral compass of the novel; it’s Viola who challenges her father over the legitimacy of war and his role in it:

She’d gone to a Quaker school, for heaven’s sake, and had taken part in an anti-Vietnam war demonstration in the course of which she had tried hard to get arrested. Her glory years were still ahead of her – Greenham, Upper Heyford – but she had long been treading the path of righteous indignation. Her father had flown planes, dropped bombs on people. He’d probably been responsible for the firebombing of Dresden – Slaughterhouse-Five had been on her syllabus at university. (‘It was only the Lancasters who bombed Dresden,’ Teddy said. ‘So? So? His daughter said. ‘You think that absolves you?’ ‘I’m not asking for absolution,’ Teddy said.) War was evil, Viola thought…

Teddy’s decision to join the war effort might have surprised Viola, had she asked him why or, indeed, if she’d asked him about his experience and his own concerns.

The chapters set in the war, as Teddy flies a Halifax bomber over Germany with a fairly consistent crew of men are superb pieces of writing. Atkinson’s research shows in the details of the rituals, the descriptions of the planes, the behaviour of the men (and the occasional woman: there’s a wonderful scene where Nancy’s sister, Gertie, shows up) where it is used to great effect.

What impressed me most about this book though was the structure; Atkinson confidently moves through time – sometimes between decades – in adjoining paragraphs. The novel as a whole is structured in the same way, moving in a non-chronological order through Teddy’s timeline. Atkinson creates a jigsaw puzzle of his life and the lives of his family members for the reader to reconstruct. She also writes every chapter (bar possibly the first and the last) so they work as stand alone short stories. It’s an impressive feat.

Atkinson also does something quite shocking towards the end of the novel – don’t worry, I’ll do this without spoilers but I think it would be remiss of me not to mention it at all. Atkinson begins to break down the fourth wall as Viola, now in her 60s, starts to consider how she’s lived her life and begins to regret some of her behaviour. At this point, the narrator comments on some of Viola’s thoughts. But by the end of the book, Atkinson’s not removed a brick or two from the fourth wall, she’s sent it crashing down. It’s an interesting piece of writing and one that I think will divide readers.

One of the reasons Atkinson mention as a reason for this in her ‘Author’s Note’ is that the book is about fiction – Izzie writes the Augustus stories; Viola becomes a writer later on; each character has their own core story; each chapter is a short story in its own right. It’s also a novel about war and the deaths of so many – not just in the Second World War, but in many other conflicts throughout the world. Atkinson considers the extinguishing of each of those lives alongside the deaths of the characters in the novel and questions how many other lives were lost because they were never allowed to exist at all; they are figments of someone’s imagination as Teddy is a figment of hers.

A God in Ruins is a stunning book: the structure’s experimental and clever; the characters are fully developed; the prose is sharp and often soars. Atkinson’s a writer at the top of her game and I think people, by which I mean literary prize judges, underestimate her skill as a writer. I suspect she’s often placed under that insipid category of ‘women’s fiction’ (whatever that’s supposed to be) and dismissed. It would be nice to see some recognition from the Booker Prize, for example, for A God in Ruins but I won’t hold my breath. Her fans, however, who I know are legion and loyal, will adore this book and quite rightly too.

 

Thanks to Doubleday for the review copy.

Ones to Read in 2015

There are a number of preview lists in the media at the moment. Rather than tell you what’s coming up, I’ve been reading 2015 titles since October so I can recommend books I think you should watch out for in the first half of 2015. Bar the bottom three titles – which are by three of my favourite writers and therefore, highly anticipated by me – I’ve read everything included on here; all of these books are very good and some are superb.

Full reviews will follow on the week of publication. All publication dates are UK and subject to change.

An Untamed State – Roxane Gay

On a visit to her parents in Haiti, Mireille is kidnapped in front of her husband and baby son. When her father holds out on paying the ransom, she’s subjected to brutal attacks. Her family will have to come to terms with the consequences but Gay clearly makes the personal political and An Untamed State is also about the treatment of women by men; the relationship between Haiti and America, and poverty versus wealth. This is an incredible book, if I read many better this year, I’ll be surprised.

Published 8th January by Corsair Books

Hausfrau – Jill Alexander Essbaum

Anna, an American, has lived in Dietlikon, a quiet suburb of Zurich for nine years but she’s never felt as though she belongs despite being married to a Swiss man and having had three children there. When her therapist suggests she attend a German language class, she meets Archie and begins an affair. Essbaum interweaves lessons about language and passivity with Anna’s thoughts and behaviour and adds her work to a line of women going against society’s expectations.

Published 26th March by Mantle

A Spool of Blue Thread – Anne Tyler

The Whitshank family could be any family on the surface – Abby and Red and their four children, son Denny causing problems and disappearing for long periods until someone needs him. The novel begins with Abby’s story and her descent into forgetting things before moving to how her and Red met and then to his parents and their story. A number of family secrets are revealed along the way and Tyler writes families as only she can – with a keen eye and an acute understanding of how the bonds between family members work.

Published 10th February by Chatto & Windus

The Gracekeepers – Kirsty Logan

Callanish is a gracekeeper, someone who performs the burial of the dead. North and her bear are part of the Circus Excalibur, a circus that sails around performing – there is no place on what’s left of the land for them. But North is betrothed to the son of Red Gold, the circus owner, who wants them to have a house on land and restore his family line to the earth. Not everyone likes his plan though and North and Callanish’s paths are going to cross and set them on a different course. Logan builds upon the promise she showed in her short story collection, The Rental Heart and Other Fairytales. The Gracekeepers places her somewhere between Angela Carter and Margaret Atwood.

Published 7th May by Harvill Secker

The Ship – Antonia Honeywell

London is burning. The British Museum is occupied. The Nazareth Act is in force and if you can’t produce your identity card in seconds you’re going to be shot. Lalla’s mother has tried to show her some of the reality but she’s sheltered by her wealthy father, Michael Paul, who’s been building a boat and selecting the people who will travel on it. When her mother’s shot, the boat sets sail but where are they going and what will Lalla discover along the way? A thoughtful, genre crossing, page turner.

Published 19th February by W&N

Vigilante – Shelley Harris

Jenny Pepper’s fed up of tidying up after her graphic designer husband, Elliot and teenage daughter, Martha. When she’s on her way to her friend’s fancy dress party as a superhero and prevents a mugging, she gets a buzz from acting as a vigilante protecting other women. Add to this the graphic novel designed by Elliot, containing a female victim with an unrealistic body; the graffiti picture of a girl in the uniform of the school Martha attends, and a man who’s attacking girls in Martha’s year and Jenny has a purpose in life. Hard to put down.

Published 8th January by W&N

Our Endless Numbered Days – Claire Fuller

Peggy’s father is a member of the North London Retreaters, discussing strategies for surviving the end of the world. While her mother, professional pianist, Ute, is on a tour of Germany, Peggy’s father tells her Ute is dead and takes her to live in die Hütte somewhere in Europe. The structure of the novel moves between Peggy’s present when she has returned to London and her mother and her time in die Hütte and how she and her father survived. Fascinating and terrifying.

Published 26th February by Fig Tree.

 

The Vegetarian – Han Kang (translated by Deborah Smith)

When Yeong-hye begins to have nightmares about meat and murder she decides to turn vegetarian, something highly unusual in South Korean society. It strains her relationship with her husband and her father but makes her highly attractive to her brother-in-law. Told in three linked novellas, each from a different point of view, The Vegetarian becomes odder and more unnerving as Yeong-hye deteriorates mentally and physically.

Published 1st January by Portobello Books.

The Chimes – Anna Smaill

Simon goes to London with his bag of objectmemories, and the name and tune of a woman his mother told him to find. Lives are run by The Order who tell them Onestory every day and erase their memory with Chimes every evening. There is no writing, no shared stories and communities are difficult to forge; music rules everything. But Simon has a purpose, he just needs to remember what it is. An extraordinary story told in a brave and unusual way.

Published 12th February by Sceptre.

 

Before the Fire – Sarah Butler

Stick and Mac are leaving Manchester for Spain. Stick’s had enough of the memories of his sister, dead in a fire; his father who left him and his mother after his sister’s death and now has a posh house with his new wife and kids, and his mum’s OCD which is giving them both sleepless nights. But the night before they’re due to leave, Mac’s attacked and now Stick’s going nowhere and life looks a whole lot worse, especially as the 2011 riots are about to take place. A great addition to working class literature.

Published 12th March by Picador.

 

The Shore – Sara Taylor

Some families just don’t work out. The Shore is a collection of three islands off the coast of Virginia. There live a group of people related to each other. The book begins by introducing Chloe and Renee, daughters of Ellie and Bo. There’s been a murder and people in the local store are gossiping about it. By the end of the first chapter, there will have been three. The book then goes on to tell the stories – past and future – of those related to this central family. The reader travels back to 1876 and Medora and forward to 2143 and Simian. Ambitious with plenty to say about the treatment of women.

Published 26th March by William Heinemann.

The Hourglass Factory – Lucy Ribchester

Frankie George, reporter for the London Evening Gazette, is sent to write a profile of Ebony Diamond, trapeze artist and suffragette, but that evening, Ebony disappears and a woman mistakenly identified as her is murdered. Weaving a murder investigation with the activities of the suffragettes, The Hourglass Factory is a satisfying, multi-strand story with some serious points to make about women and gender roles.

Published 15th January by Simon & Schuster

 

All This Has Nothing to Do With Me – Monica Sabolo (translated by Georgina Collins)

When MS interviews XX she hires him because he’s quirky, tall, young and a mess. MS falls into an obsessive, largely unrequited love which she fuels by keeping notes about XX and taking ‘mementos’ from their after-work drinks. These are documented in diary entries, emails and photographs. The book then moves to tell the story of MS’s childhood and her parents. Sabolo interweaves her own photographs and uses her own initials in this novel which seems to blur the boundaries of fiction and autobiography in a similar way to Sheila Heti and Leanne Shapton.

Published 9th April by Picador.

And the three I haven’t read but am very much looking forward to:

A God in Ruins – Kate Atkinson

In A God in Ruins, Atkinson turns her focus on Ursula’s beloved younger brother Teddy – would-be poet, RAF bomber pilot, husband and father – as he navigates the perils and progress of the 20th century. For all Teddy endures in battle, his greatest challenge will be to face living in a future he never expected to have.

I’ve been reading Kate Atkinson’s novels since Behind the Scenes at the Museum won the Whitbread Award (now the Costa) in 1995 and she’s never disappointed.

Published 5th May by Doubleday.

The Wolf Border – Sarah Hall

For almost a decade Rachel Caine has turned her back on home, kept distant by family disputes and her work monitoring wolves on an Idaho reservation. But now, summoned by the eccentric Earl of Annerdale and his controversial scheme to reintroduce the Grey Wolf to the English countryside, she is back in the peat and wet light of the Lake District.

The earl’s project harks back to an ancient idyll of untamed British wilderness – though Rachel must contend with modern-day concessions to health and safety, public outrage and political gain – and the return of the Grey after hundreds of years coincides with her own regeneration: impending motherhood, and reconciliation with her estranged family.

The Wolf Border investigates the fundamental nature of wilderness and wildness, both animal and human. It seeks to understand the most obsessive aspects of humanity: sex, love, and conflict; the desire to find answers to the question of our existence; those complex systems that govern the most superior creature on earth.

Hall’s been my favourite female novelist since I read The Electric Michelangelo; I think she’s one of the UK’s greatest.

Published 26th March by Faber & Faber

The Story of My Teeth – Valeria Luiselli (translated by Christina MacSweeney)

Gustavo ‘Turnpike’ Sanchez is a man with a mission: he is planning to replace every last one of his unsightly teeth. He has a few skills that might help him on his way: he can imitate Janis Joplin after two rums, he can interpret Chinese fortune cookies, he can stand an egg upright on a table, and he can float on his back. And, of course, he is the world’s best auction caller – although other people might not realise this, because he is, by nature, very discreet.Studying auctioneering under Grandmaster Oklahoma and the famous country singer Leroy Van Dyke, Highway travels the world, amassing his collection of ‘Collectibles’ and perfecting his own specialty: the allegoric auction. In his quest for a perfect set of pearly whites, he finds unusual ways to raise the funds, culminating in the sale of the jewels of his collection: the teeth of the ‘notorious infamous’ – Plato, Petrarch, Chesterton, Virginia Woolf et al.Written with elegance, wit and exhilarating boldness, Valeria Luiselli takes us on an idiosyncratic and hugely enjoyable journey that offers an insightful meditation on value, worth and creation, and the points at which they overlap.

I reviewed Luiselli’s debut novel, Faces in the Crowd, back in 2012 and it was one of my books of the year. I’m looking forward to entering her strange, clever world again.

Published 2nd April by Granta.

 

Thanks to Mantle, Chatto & Windus, Harvill Secker, W&N, Fig Tree, Portobello Books, Sceptre, Picador, William Heinemann and Simon & Schuster for the review copies.