In the Media, November 2015, Part Two

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

There have been a number of powerful pieces published over the last fortnight by women about women reading books by white men and trying to please an establishment that loves white male writers. Rebecca Solnit wrote, ‘80 Books No Woman Should Read‘ on Literary Hub and Sigal Samuel responded with ‘What Women Can Learn From Reading Sexist Male Writers‘ on Electric Literature. Jennifer Weiner wrote, ‘If you enjoyed a good book and you’re a woman, the critics think you’re wrong‘ in The Guardian but the big one was Clare Vaye Watkins ‘On Pandering‘ published on the Tin House blog. On Flavorwire, Alison Herman published a response titled, ‘Claire Vaye Watkins’ “On Pandering” Describes a Specific Experience of Writing and Gender, But Has the Power to Start a Broader Conversation‘ and it did. Nichole Perkins wrote ‘A Response to “On Pandering” in the LA Times; Aya de Leon wrote, ‘In Gratitude for Claire Vaye Watkins and my own Fatherlessness as a Woman Writer‘ on her blog; Marie Phillips wrote, ‘Writers: we need to stop pandering to the white, male status quo‘ on The Pool; Katy Waldman argued, ‘Claire Vaye Watkins’ Tin House Essay “On Pandering” Has a Very Limited Definition of “Male Writers”‘ on Slate

The woman with the most publicity is Patricia Highsmith. The film of her novel The Price of Salt, renamed Carol was released on Friday (in the UK). In the New Yorker, Margaret Talbot writes ‘Forbidden Love: The Passions Behind Patricia Highsmith’s The Price of Salt‘; there’s an interview with Phyllis Nagy, screenwriter and Highsmith’s friend on Bookanista; Frank Rich wrote, ‘Loving Carol‘ on Vulture

The Irish Book Awards were announced this week, including wins for Anne Enright, Louise O’Neill, Susan Jane White, Jane Casey, Sinead Moriarty,Sara Baume and The Long Gaze Back anthology edited by Sinéad Gleeson. While in London, the Costa Book Awards shortlists were announced.

The best of the rest:

On or about books/writers/language:

Personal essays/memoir:

Feminism:

Society and Politics:

Film, Television, Music, Art and Fashion:

The interviews:

The regular columnists:

In the Media, November 2015, Part One

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

We’re still deep in book awards territory this fortnight with a number of winners and shortlists being announced. Chimamanda Ngozi Adichie won the Bailey’s Best of the Best for Half of a Yellow Sun. The award prompted pieces from Alice Stride in The Bookseller, an editorial in The Guardian and Anna James on The Pool about why we still need the Bailey’s Prize.

Sarah Waters won Stonewall’s Writer of the Decade; Lydia Davis will receive The Paris Review’s Hadada Award 2016; Kerry Hudson won the Prix Femina for Translated Fiction; Roxane Gay won the PEN Centre USA Freedom to Write Award; Jacqueline Wilson won the JM Barrie Award

The shortlists include the eclectic, female dominates Waterstones’ Book of the Year Award, chosen by Waterstones’ Booksellers; The Guardian First Book Award which Catherine Taylor, one of this years judges, discusses, and The Young Writer of the Year Award (which not only has gender parity, but also an equal split between writers of colour and white writers).

Meanwhile, Arundhati Roy returned her National Award for Best Screenplay, she explains why in The Guardian and Heather Horn investigates why the Prix Goncourt has been awarded to a man 102 times and a woman 11 times on The Atlantic

Irish women have been speaking out about the Abbey Theatre where nine out of ten plays in its 2016 centenary programme are written by men. Emer O’Toole writes about the reaction in The Guardian and Ellen Coyne in The Irish Times while Dr Susan Liddy, academic at the University of Limerick, writes ‘Women and the Irish film industry‘ to The Irish Times.

And if you only read one thing from this fortnight’s list, I highly recommend Jacqueline Rose’s essay, ‘Bantu in the Bathroom: on the trial of Oscar Pistorius‘ in The LRB.

The best of the rest:

On or about books/writers/language:

Personal essays/memoir:

Feminism:

Society and Politics:

Film, Television, Music, Art and Fashion:

The interviews:

The regular columnists: