In the Media, May 2016, Part Two

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

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It seems there’s been a return to traditional topics this fortnight. Having children (or not) and body image are back at the top of the agenda. On the former, Daisy Buchanan wrote, ‘I’m economically infertile, and I’ve made peace with that‘ on The Pool; Stephanie Merritt, ‘Sheryl Sandberg admits she did not get how hard it is to be a single mother‘ on The Pool; Ashley Patronyak, ‘A Slight Risk‘ in Guernica; Jordan Rosenfeld, ‘On Discovering Real Mothers on the Page‘ on Literary Hub; Diana Abu-Jaber, ‘Motherhood vs. Art: There Is No Wrong Choice‘ on Literary Hub; Rivka Galchin, ‘Why Does Literature Hate Babies‘ on Literary Hub; Willa Paskin, ‘Speak, Motherhood‘ on Slate; Jennifer Gilmore,’I’m Glad My Mother Worked‘ on The Cut, and Louise O’Neill, ‘I think I would be a good mother; I just don’t want to be one‘ in The Irish Examiner.

Discussions about body image seems to be around the publication of two new books: Shrill by Lindy West and Dietland by Sarai Walker. West wrote, ‘The ‘perfect body’ is a lie. I believed it for a long time and let it shrink my life‘ in The Guardian. Walker was interviewed in The Bookseller and The Pool. And Mallory Ortberg wrote, ‘“We would have paid her the same if she weighed 500 pounds”: Publishing, Weight, and Writers Who Are “Hard To Look At”‘ in The Toast

And then there was this: the men-only bookclub who only read books about men. LV Anderson at Slate decided to tell us all off for being outraged about it, ‘Feminists Shouldn’t Roll Our Eyes at Men-Only Books Clubs. We Should Applaud Them‘.

This fortnight saw the deaths of Sally Brampton and Geek Love author, Katherine Dunn. Kathryn Flett wrote, ‘Sally Brampton – the woman who made ‘Elle girls’ the new normal‘ in The Guardian and Daisy Buchanan wrote, ‘Depression is not a battle that can be won or lost‘ on The Pool.

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The best of the rest:

On or about books/writers/language:

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Personal essays/memoir:

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Feminism:

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Society and Politics:

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Film, Television, Music, Art, Fashion and Sport:

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The interviews/profiles:

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The regular columnists:

In the Media, November 2015, Part One

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

We’re still deep in book awards territory this fortnight with a number of winners and shortlists being announced. Chimamanda Ngozi Adichie won the Bailey’s Best of the Best for Half of a Yellow Sun. The award prompted pieces from Alice Stride in The Bookseller, an editorial in The Guardian and Anna James on The Pool about why we still need the Bailey’s Prize.

Sarah Waters won Stonewall’s Writer of the Decade; Lydia Davis will receive The Paris Review’s Hadada Award 2016; Kerry Hudson won the Prix Femina for Translated Fiction; Roxane Gay won the PEN Centre USA Freedom to Write Award; Jacqueline Wilson won the JM Barrie Award

The shortlists include the eclectic, female dominates Waterstones’ Book of the Year Award, chosen by Waterstones’ Booksellers; The Guardian First Book Award which Catherine Taylor, one of this years judges, discusses, and The Young Writer of the Year Award (which not only has gender parity, but also an equal split between writers of colour and white writers).

Meanwhile, Arundhati Roy returned her National Award for Best Screenplay, she explains why in The Guardian and Heather Horn investigates why the Prix Goncourt has been awarded to a man 102 times and a woman 11 times on The Atlantic

Irish women have been speaking out about the Abbey Theatre where nine out of ten plays in its 2016 centenary programme are written by men. Emer O’Toole writes about the reaction in The Guardian and Ellen Coyne in The Irish Times while Dr Susan Liddy, academic at the University of Limerick, writes ‘Women and the Irish film industry‘ to The Irish Times.

And if you only read one thing from this fortnight’s list, I highly recommend Jacqueline Rose’s essay, ‘Bantu in the Bathroom: on the trial of Oscar Pistorius‘ in The LRB.

The best of the rest:

On or about books/writers/language:

Personal essays/memoir:

Feminism:

Society and Politics:

Film, Television, Music, Art and Fashion:

The interviews:

The regular columnists:

In the Media: October 2015, Part One

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

In the media is back in a slightly altered format. You might have spotted a change in the opening paragraph – this feature will now appear fortnightly rather than weekly. That doesn’t mean it’s going to be bigger than it was before, however. When I started this feature, the plan was to focus on fiction writers with published books but as I started to read more widely, I realised how many brilliant women columnists and features writers there are and it seemed ludicrous not to include them. I want to keep supporting them so you’ll notice as you scroll down that I’ve reduced the number of categories but I’ve added a regular columnists category to link to those writers who are consistently good/interesting.

This fortnight’s been all about whitewashing. First there was the Sufragette film which ignored any women of colour involved in the movement. Anita Anand asks ‘Were the Suffragettes racist?‘ in the Telegraph. Victoria Massie tells us about ‘3 black women who fought on the front lines for women’s suffrage‘ on NTRSCTN and a piece on Asian Suffragettes on British Protest at Home and Abroad was highlighted. Eesha Pandit writes, ‘The discomfiting truth about white feminism: Meryl Streep, Amy Poehler & the movement’s long history of racial insensitivity‘ on Salon while Henna Zamurd Butt asks, ‘So Nadiya won the Great British Bake Off, why the big deal?‘ on Media Diversified and Nadia Shireen says, ‘Why the world needs more Nadiyas‘ in The Pool.

And then there was Meg Rosoff who said,“there are not too few books for marginalised young people”. This came at the same time Leila Rasheed posted, ‘A New Scheme Hopes to Promote BME Voices in Children’s Literature‘ on The Asian Writer. Responses to Rosoff came from Camryn Garrett, ‘this is how the industry lives now: five signs that you might be suffering from white privilege’ on For all the Girls Who Are Half Monster; Edi Campbell, ‘SundayMorningReads‘ on Crazy QuiltEdi (whose Facebook page is where Rosoff made her comment); Kaye M, ‘This Is How I Life: An Open Letter to Meg Rosoff‘ on Medium; Radiya Hafiza ‘Why we need mirrors in literature‘ on Media Diversified; KT Horning, ‘Spouting Off While White‘ on Reading While White, and Debbie Reese, ‘About Meg Rosoff’s Next Book‘ on American Indians in Children’s Literature, which includes an up-to-date list of responses so far. And how about this for a radical idea: ‘Is Hermione Granger White?‘ Monika Kothari answers on Slate.

Reactions to Chrissie Hynde blaming herself when she was raped continue. Ann Friedman writes, ‘We Shouldn’t Let Chrissie Hynde Off the Hook So Easily‘ in The Cut while Tracey Thorn says, ‘Chrissie longed to be one of the boys. Unlike us, she didn’t have riot grrrls‘ in The New Statesman.

Finally, while there wasn’t a female winner of the Man Booker Prize, there was a female winner of The Guardian’s Not the Booker Prize. Congratulations to Kirstin Innes who won for her novel Fishnet. Unfortunately, both the Samuel Johnson Prize and the Goldsmiths Prize shortlists were somewhat lacking in women. Michael Caines offers an alternative all-female shortlist to the latter on the TLS while Cathy Rentzenbrink on blistering form in The Bookseller writes ‘On Noticing‘.

The best of the rest:

On or about books/writers/language:

Personal essays/memoir:

Feminism:

Society and Politics:

Film, Television, Music and Fashion:

portrait_walsh_colourThe interviews:

The regular columnists:

In the Media: 24th May 2015

In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

The Cannes Film Festival’s been in the spotlight (haha) this week for turning women away from a screening because they were wearing flat shoes. Heels as compulsory footwear for women may or may not (depending which day it is someone asks) be part of their dress policy. Helen O’Hara writes ‘How the 2015 Cannes Film Festival became all about women‘  while Laura Craik asks, ‘Is the tyranny of high heels finally over?‘ both in The Pool. Hadley Freeman wrote, ‘Can’t do heels? Don’t do Cannes‘ in The Guardian, while Elizabeth Semmelhack wrote, ‘Shoes That Put Women in Their Place‘ in The New York Times

The other big feminist story was about ‘wife bonuses’ after Wednesday Martin wrote a piece for the New York Times called, ‘Poor Little Rich Women‘. Amanda Marcotte asked, ‘What’s Wrong With “Wife Bonuses”?‘ in Slate

Awards this week went to the five 2015 Best Young Australian Novelists, three of whom are women, all of whom are women of colour – hurrah for progress. Also in Australia, the shortlist for the Miles Franklin Award was revealed, four of the five shortlisted writers are women. The O. Henry Prize Stories for 2015 were announced. Of the twenty selected, fifteen were by women. You can read those by Dina Nayeri, Molly Antopol and Lynne Sharon Schwartz by clicking on their names.

The best of the rest:

On or about books/writers/language:

Personal essays/memoir:

Feminism:

Society and Politics:

Film, Television, Music and Fashion:

The interviews:

If you want some fiction to read:

Photograph by Kwesi Abbensetts

If you want some poetry to read:

If you want some non-fiction to read:

The lists:

In the Media: 10th May 2015

In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

It’s Mother’s Day in 80 countries around the world today. Not surprisingly, there has been a whole range of articles, from a whole range of view points, about mothers and motherhood this week. The Hairpin ran a series including  ‘Mommy Queerest‘ by Sarah Liss; ‘Thoroughly Modern Murdering Mothers; or, Women Who Kill for Their Children‘ by Meredith Haggerty; ‘A Joke, A Story‘ by Naomi Skwarna; ‘Going for the Burn: Revisiting Jane Fonda’s Workouts‘ by Alison Hamm’ ‘Mothers and Moms‘ by Haley Mlotek, and Randi Bergman, ‘The Weirdest Beauty Tips I Learned From My Mom‘.

Tameka Cage-Conley wrote, ‘Motherhood, Art, And Police Brutality‘ on VSB; Amy Shouse wrote ‘My mom never wanted kids‘ on Salon; Anne Enright wrote, ‘When Mother Leaves the Room‘ in The New York Times; Cheryl Strayed wrote, ‘The ‘Painful Personal Toll Lung Cancer Has Taken on My Life’‘ on The Huffington Post; Monica Hessler, ‘The long drive to end a pregnancy‘ in The Washington Post; Mary HK Choi, ‘The Dicks Of Our Lives‘ on Buzzfeed; Mary Elizabeth Williams, ‘Sorry about Mother’s Day, my childfree girlfriends: Moms aren’t any more special (or unselfish) than you‘ on Salon; Edwidge Danticat, ‘A Prayer Before Dying‘ on Literary Hub; Brogan Driscoll, ‘I Refuse to Celebrate ‘Dad Bod’, Until We Appreciate the ‘Mum Bod’ Too‘ on the Huffington Post

Catherine Bennett wrote in The Guardian, ‘It’s dehumanising to be ‘an oven’ for someone else’s baby‘; Jessica Roake wrote, ‘An Ode to the “Mom’s Night Out”‘ on Slate; Rebecca Mead wrote, ‘A Woman’s Place Is on the Internet‘ in The New Yorker; Sophie Heawood wrote, ‘I’ve read all the advice, but I still don’t know – am I raising a serial killer?‘ in The Guardian; Laila K wrote, ‘Up with the kids‘ in The Pool; Dahlia Lithwick, ‘“Bye-Bye, Normal Mommy”‘ on Slate; Christie Watson, ‘The Joy and Pain of Trans-Racial Adoption‘ on Literary Hub; Meagan O’Connell, ‘It’s My First Mother’s Day As a Mom. Now What?‘ in The Cut; Kate Spencer, ‘How I Finally Let Go Of Grief For My Dead Mom‘ on Buzzfeed; Domenica Ruta, ‘Can Having a Child Help Me Get Over My Abusive Mom?‘ in The Cut.

Danah Boyd, ‘I Miss Not Being Scared‘ on Medium; Melissa Duclos, ‘To the Doctor Who Reported Me to Child Protective Services‘ on The Offing; Christopher Frizzelle, ‘The Day Virginia Woolf Brought Her Mom Back to Life‘ on Literary Hub; Lauren Laverne, ‘“Mum” as a diss‘ in The Pool.

And if you’d rather read a book instead, Literary Hub suggests, ‘Five Intense Books for Mother’s Day‘ and the Huffington Post recommends, ‘Mother’s Day Reads: Eight Great Mother Characters in Literature‘.

Photograph by Idil Sukan

In the UK, there was a general election. 3AM Magazine ran a whole series of reactions including, Lauren Elkin, ‘an open letter to mark-francis vandelli‘; Juliet Jacques, ‘london – 2015‘; Eley Williams, ‘rosette manufacture: a catalogue and spotters’ guide‘, and Rachel Genn, ‘you wouldn’t like me when i’m disappointed‘. Other reactions included: Laurie Penny, ‘Don’t give in: an angry population is hard to govern; a depressed population is easy‘ in the New Statesman; Joan Smith, ‘Almost a third of all MPs are now women – a milestone has been reached‘ in The Guardian; Janice Turner, ‘Why the north is in revolt against Labour‘ in The Times; Beluah Maud Devaney, ‘Unfriending Tories on Facebook Is Not the Answer‘ on the Huffington Post

And there were a few pieces written prior to the result that I still think are worth reading: Sam Baker, ‘When voting doesn’t make you feel good‘ in The Pool; Suzanne Moore, ‘By Friday we’ll be reduced to bystanders at a revoltingly macho political stare-off‘ in The Guardian; Concepta Cassar, ‘Food For Thought: Hazlitt, Malthus and the Tragedy of Food Banks‘ in Litro; Katy Guest, ‘Sandi Toksvig’s Women’s Equality Party is a movement for which time has come‘ in The Independent; Salena Godden, ‘Colour-blind: What colour are you?‘ on her blog, and Isabel Rogers’ poem ‘The truth about political correctness‘ on her blog.

I promised myself I wouldn’t mention it but there have been a few good pieces written about the birth of THAT baby: Sian Norris, ‘She’s not like other girls…‘ on Sian and Crooked Rib; Heather Havrilesky, ‘Royal Baby Girl Fated to Lead International Mob of Fake Princesses?‘ in The Cut, and Viv Groskop, ‘She’s a tiny baby, not a Kardashian‘ in The Pool.

Congratulations to Gill Lewis who won the Little Rebels children’s book award with Scarlet Ibis this week; to Emily St. John Mandel who won the Authur C Clarke award, and to Alice Notley who won the Ruth Lilly Poetry Foundation Prize. A gender balanced shortlist was announced for the RSL Ondaatje Prize 2015 and a female dominated one for the Branford Boase Award 2015. The ALS Longlist and NSW Premier’s Literary Awards Shortlists were also announced.

The best of the rest:

On or about books/writers/language:

Personal essays/memoir:

Feminism:

Society and Politics:

The interviews:

If you want some fiction to read:

If you want some poetry to read:

If you want some non-fiction to read:

Photograph by Cybele Knowles

The lists:

In the Media: 19th April 2015

In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

The Bailey’s Women’s Prize for Fiction shortlist was revealed this week. Sarah Shaffi of The Bookseller reports, ‘Experience tells on Baileys Women’s Prize shortlist‘ while Anna James of We Love This Book introduces us to each of the books and invites us to read along in this video.

Other big news was London Book Fair. For readers, this means announcements about new acquisitions from significant writers. Alison Flood in the Guardian reports, ‘Age shall not weary them: Diana Athill, 97, and Edna O’Brien, 84, are stars of London book fair‘ and ‘London book fair excited by Erica Jong’s new novel‘. The Quietus reports on Viv Albertine’s new book and the cover for Patti Smith’s sequel to Just Kids was released this week, see it in The Pool. If you want a glimpse into what goes on at the fair, Antonia Honeywell wrote on her blog about the panel she was part of, ‘Promoting Debut Authors – London Book Fair 14th April 2015‘.

The woman with the most publicity this week is Evangeline Jennings who’s interviewed on The Indie View, Col’s Criminal Library, Quirky Fiction, Omnimystery News and in character as one of the narrators of her short stories, Helen Wheels on Reflections of Reality.

In this week’s Harper Lee news, ‘PRH reveals Harper Lee title page‘ reports Publishers Weekly.

And in this week’s Elena Ferrante news, if you haven’t read anything by her, she’s this week’s Bedtime Bookclub in The Pool where you can read the first five chapters of My Brilliant Friend. Also in The Pool, Viv Groskop asks, ‘Is being a bestseller all in a name?‘ and Cristina Marconi writes, ‘Elena Ferrante versus Italy‘ on Little Atoms.

The best of the rest:

On or about books/writers/language:

Personal essays/memoir:

Feminism:

Society and Politics:

Music, Film and Television:

The interviews:

If you want some fiction to read:

If you want some poetry to read:

  • What Did Sriraman Say?‘ by Perundevi (translated by Padma Narayanan and Subashree Krishnaswamy) in Words Without Borders
  • Highway‘ by Malathi Maithri (translated by Lakshmi Holmström) in Words Without Borders
  • Three Dreams‘ by Sharmila Seyyid (translated by Lakshmi Holmström) in Words Without Borders
  • Fear‘ by Krishangini (translated by Padma Narayanan and Subashree Krishnaswamy) in Words Without Borders
  • Shunaka: Blood Count‘ by Karthika Nair in Granta
  • Gone to Pasture/To Speak‘ by Natalie Eilbert in The Offing
  • Compromised Field‘ by Shareen Mansfield on The Honeyed Quill
  • Humbles‘ by Frances Leviston on Poem Today
  • The Handshake‘ by Isabel Rogers on her blog
  • A Psalm for the Scaffolders‘ by Kim Moore on Seren Books’ Blog

If you want some non-fiction to read:

The lists:

In the Media: 15th February 2015

In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. Also, just a note to make it clear that I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely.

This week it’s been almost impossible to escape Fifty Shades of Grey and the commentary surrounding it. Girl on the Net wrote ‘Is 50 Shades of Grey abuse?‘ on her blog; Leslie Bennets wrote, ‘Sex, Lies and Fifty Shades‘ for EW; Janice Turner wrote ‘At last, a man who knows what women want‘ in The Times, while Eva Wiseman went with ‘Why Fifty Shades finds itself in a world of pain‘ in The Observer.

And the pieces about and around the ‘new’ Harper Lee novel keep coming; The Guardian reported ‘Harper Lee ‘hurt and humiliated’ by Mockingbird sequel controversy‘; Salon reported on ‘Harper Lee and America’s silent abuse epidemic‘; Sadie Stein wrote, ‘Hot Stove‘ in The Paris Review; The New Yorker went with ‘Harper Lee and the Benefit of the Doubt‘; McSweeney’s ran ‘Harper Lee’s Letters to Her Editor After the Publication of To Kill a Mockingbird‘; The Los Angeles Times asked ‘Is Harper Lee’s new book headed for Hollywood?‘; while the Huffington Post asked ‘What Did Atticus Finch Think of the Civil Rights Movement?

There’s also been a focus on women’s deaths with the launch of The Femicide Census. Karen Ingala Smith wrote, ‘Femicide is a leading a cause of premature death for women – why aren’t we doing more?‘ and Sarah Ditum, ‘Why we need a Femicide Census‘ both in the New Statesman, while Parker Marie Malloy wrote ‘Trans Women of Color Deserve to Be Mourned as Much as Leelah Alcorn‘ on Slate.

The best of the rest articles/essays:

The interviews:

If you want some fiction/poetry to read:

The lists:

My favourite pieces this week:

In the Media: 5th October 2014

In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought-provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. Also, just a note to make it clear that I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely.

Is anyone else aware there’s a film version of Gone Girl out this week? Love it or loathe it, you certainly can’t miss it. Gillian Flynn’s been interviewed by Emma Brockes in The Guardian and told Vulture about 21 Things that Influenced her books. Erin Kelly wrote in the Telegraph about Why we are all in the grip of suburban noir, while Stylist ran some Words of Wisdom from History’s Greatest Female Crime Writers and Vulture ran a list of Seven Books to Scratch Your Gone Girl Itch which are not what you might expect (I’ve reviewed four and have two of the remaining three on my TBR).

Also having a moment is Jane Eyre and her creator Charlotte Brontë partly due to The Secret Life of Books episode dedicated to the book last week. Presenter of that episode, Bidisha, wrote a piece telling us Beware Your Classic Heroines as they might not be all you thought they were. Pam McIlroy wrote Is Jane Eyre passive or strong? in reaction to the programme. While Claire Hayes wrote about rereading and rethinking Jane Eyre as part of the Massive Open Online Course she’s taking. And if you can’t stand Jane Eyre (just me?), here’s Lucy Hughes-Hallet’s piece from earlier in the year about Why Villette is better.

Lots this week about gender parity or, more specifically, the lack of it. Anne Boyd Rioux wrote on her blog about the Challenge to a (Woman) Writer’s Credibility following the Washington Post’s review of Karen Abbott’s Liar Temptress Soldier Spy and on The Millions asked Is There No Gender Equity in Nonfiction? (I don’t need to remind you not to read the comments on that one, do I?) Rebecca Winson from For Books’ Sake wrote in the TES about their Balance the Books campaign, to challenge the gender divide on the new UK GCSE specifications. While Elisabeth Donnelly wrote on Flavorwire about the difference between Lena Dunham and Aziz Ansari’s Million Dollar Book Deals.

(Portrait by Jay Grabiec )

Talking of Lena Dunham (and other current high profile feminists), she’s still big news this week following the publication of her book. Roxane Gay interviewed her on Vulture and posted the outtakes. While the New York Times ran a piece on how she was turning her book tour into ‘a Literary Circus’. While the LA Times linked her with Laurie Penny to discuss how they are ‘rewriting womanhood for the 21st Century‘. Standard Issue interviewed Penny while the TLS ran a piece discussing Penny’s book alongside Laura Bates’ Everyday Sexism and The Vagenda titled ‘Modern Sexism‘. And as I’ve mentioned Gay, I’m very excited by the news that The Toast have hired her to run their new sister site ‘The Butter’.

In translated literature news, there’s a great portrait of Russian writer Lyudmila Ulitskaya in The New Yorker and a piece on Chinese Women Writers by Chialin Yu on Women Writers, Women’s Books. Still the Elena Ferrante pieces continue: there’s a podcast on The New Yorker about her mysterious power and Kat Stoeffel has a girl-crush on her on The Cut. While there’s an extract of Catherine Bessonart’s forthcoming novel And if, at Notre Dame, by nighttranslated by Louise LaLaurie on French Culture. All the more interesting for having the original text alongside the translation. And finally, Sal Robinson at Melville House commented on the possibility of a Women in Translation prize.

I never mention poetry. It’s not because I don’t enjoy it, more that I don’t feel even vaguely qualified to talk about it. However, I’m changing that as of this week (talking about it, that is). Poet of the moment, Kate Tempest is in The Guardian talking about how rapping changed her life. This fantastic poem, Leak by Lauren Levin in The Brooklyn Rail is well worth a read. While Patience Agbabi performs the Prologue from her reworking of Chaucer’s The Canterbury Tales.

If you prefer prose, Lionel Shriver emerged as the winner of the BBC National Short Story Award, you can read ‘Kilifi Creek‘ on The Guardian site; Hilary Mantel’s ‘The Long QT‘ from The Assassination of Margaret Thatcher; the opening of Marilynne Robinson’s new novel ‘Lila’ on the Virago Books, or Bidisha’s new novel-length fiction work Esha Ex on her blog.

The best of the rest articles:

And the interviews:

This week’s lists:

And my favourite pieces this week:

In the Media: 24th August 2014

In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought-provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. Also, just a note to make it clear that I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely.

I’m on holiday at the moment. My intention was to update this by phone in case there was a corker in the Sunday papers. However, that might not happened, in which case, I’ll save it for next week! Regardless, it’s been a bumper week this week.

Women in Translation Month is coming to an end. You can see all the reviews posted so far on Biblibio’s site. There’s also been two good pieces from/about writers in translation this week:

Two online book magazines had new editions out this week with pieces that are definitely worth reading (as are the whole magazines):

And the new issue of Bookanista is full of goodies:

I wouldn’t usually link to reviews in this piece but there have been two fantastic ones this week:

Also in the Guardian:

Finally, you were probably under a rock if you missed it, but Kate Atkinson’s publishers Transworld announced that her next novel would be a companion piece to the best selling Life After Life, focusing on the younger brother, Teddy.

And the funniest thing I’ve read this week was Celeste Ballard in the New Yorker on ‘How to Pick a Good Summer Read‘. It certainly helped with my packing!

Unsung Female Writers (Part Two)

Thank you for the great response to our Unsung Female Writers (Part One) post. Today, we’ve got the rest of the list for you consisting of mine and Antonia’s choices. Let us know what you think of our picks and whether there’s anyone whose writing you love who isn’t on either of our lists.

Antonia Honeywell is a writer whose debut novel The Ship will be published in February 2015. She blogs each month about the journey towards publication and is a keen reader of literary prize lists – you can read her thoughts on the Bailey’s Prize and the Man Booker Prize on her website.

Maggie Gee

Gee’s thirteen novels span a vast range of subjects and settings; her work defies categorization by genre or concern. What her novels have in common, though, is a clear-sighted, unsentimental generosity about humanity and its place in the natural world. Her characters’ opinions of themselves are dissected with honesty and compassion, and this ability to create empathy where there is not necessarily sympathy is one that deserves wider recognition. Gee has a comic touch too – in her latest novel, she brings Virginia Woolf to modern-day Manhattan. Her memoir, My Animal Life, is a must-read; in novels, begin with The White Family (contemporary) or The Ice People (speculative future) and take it from there.

Stella Duffy

Stella Duffy is a powerhouse of energy. She’s published fourteen novels, several plays, she acts, she is a vocal champion of equal marriage and is the drive behind the Fun Palaces project (inspired by Joan Littlewood); she’s had cancer and written eloquently of her distaste for the language of battle that’s often used in relation to it. This concern for honest language permeates her novels – The Room of Lost Things, my suggested starting point, is London. Not the monuments and icons we’d all recognize, but the vibrancy and squalor of a life lived rather than a life created.

Marika Cobbold

If I ever have reservations about Twitter, I only have to think of the book chat it’s introduced me to and the writers I’d never heard of before I joined. I wonder how I’d have found Marika Cobbold’s writing if I’d never * butted in * on an exchange that started with Disney princes and carried on with the toads in my cellar lightwell, culminating in a photo of Rufus Sewell. Such frivolous humour led me to Tea With Guppies, a beautifully-observed exploration of aging, of dignity, of relationships between old and young. Cobbold’s latest novel is Drowning Rose. Witty, sharp and rewarding.

Edna O’Brien

Now in her 80s, Edna O’Brien has published twenty one works of fiction since The Country Girls (1960) was denounced and burned in her native Ireland for its open discussion of matters moral and sexual. She had already made her home in London, but remains an honest and precise dissector of the consequences of a repressive society on the life of its citizens. Down by the River (1996), for example, takes as its subject a teenage rape victim seeking an abortion. The Country Girls remains a relevant and fresh read and a fine starting place to explore the work of this prolific, fierce and assured novelist.

Dorothy L. Sayers

Dorothy L. Sayers wrote detective fiction. Detective fiction is genre fiction, and genre fiction rarely makes it onto the literary prize lists. But by dismissing genre fiction, readers dismiss some truly excellent writing. This is as true now as it’s ever been (see also Kate Atkinson). Sayers’ stories are masterclasses in creating character with a few deft strokes; in conveying emotion through a simple action; in using dialogue; in effective use of description. Sceptics should start with the short stories (Lord Peter Views the Body). Murder Must Advertise or Strong Poison would be a good place to start the novels.

And my choices are:

Janice Galloway

Galloway might seem like an odd choice for a list of unsung writers to some – she’s won a number of awards and her debut The Trick Is to Keep Breathing is considered a Scottish contemporary classic. However, the big prizes and sales seem to have alluded her whilst her contemporary Irvine Welsh has gone on to worldwide fame and acclaim. Galloway has written three novels, two short story collections and two memoirs. She observes ordinary life, describing it through vivid and often disturbing imagery. Where to start with her work would depend on your preference: for novels, The Trick Is to Keep Breathing; for stories, Blood, for memoir, This Is Not About Me.

Jackie Kay

Another Scottish writer who’s won a number of awards but not the popular recognition she deserves. A poet, novelist, short story writer, memoirist and playwright. She’s also a wonderful performer of her own work. Adopted by a Scottish couple as a baby, her memoir Red Dust Road is the story of her search for her birth parents – a Scottish mother and a Nigerian father. It’s a great introduction to her work. Alternatively, you could start with her novel Trumpet, inspired by the life of American jazz musician Billy Tipton who was born Dorothy and lived as a man for fifty years. The book begins as Joss Moody (the Tipton inspired character) dies and his adopted son discovers the truth about his father’s identity.

Salley Vickers

In contrast to the previous two writers, Vickers has never won an award for her books – something I’ve checked several times via a variety of sources, so astonished was I to discover this. She’s the author of seven novels and a short story collection. Her work is often inspired by art – her debut Miss Garnet’s Angel features the Guardi panels in the Chiesa dell’ Angelo Raffaele in Venice – and includes a magical element. However, it is her work as a psychoanalyst that allows her to create characters with such considered inner lives whilst maintaining a seemingly effortless style of writing. Her aforementioned debut is a good place to begin, or with my personal favourite Mr Golightly’s Holiday.

Bernadine Evaristo

Evaristo is the author of seven novels, several of which blend prose and poetry. Her writing is musical and rhythmic. She explores a variety of experiences through her work, including her own family’s mixed heritage in the verse novel Lara and the black experience in Europe through the ghosts of Pushkin’s great-grandfather and Mary Seacole, amongst others, in Soul Tourists. She was a recent winner of the Jerwood Fiction Uncovered Prize for her wonderful novel, Mr Loverman, about a 74-year-old African Caribbean man who comes out after decades of hiding his relationship with his lover. Barrington Jedidiah Walker’s story is my suggested starting point.

Rebecca Solnit

Writer, historian and activist, Solnit is an essayist and long form non-fiction writer. She’s covered topics as diverse as nuclear testing, Eadweard Muybridge and high-speed motion photography, activism, prison, altruism from disaster, the creation of stories and walking. Her essay ‘Men Explain Things to Me’, which led to the coining of the term ‘mansplaining’ will be published in a book later this year alongside essays on marriage equality and violence against women. That essay or her book A Field Guide to Getting Lost, which explores how we can steep outside of our comfort zones – both physically and mentally – would be good introductions to her work.

Huge thanks to Ali, Susan and Antonia for their contributions.